F# Bebop Locrian Cavaquinho Scale — Standard
Cavaquinho scale in Standard tuning — fretboard diagram
F# Bebop Locrian in Standard — Notes and Intervals
The F# Bebop Locrian scale is a modern bebop variation designed for half-diminished chords. On Cavaquinho, the notes are F#, G, A, B, C, C#, D, E. It provides a chromatic bridge that helps musicians maintain rhythmic momentum while soloing over highly dissonant and difficult chord changes. Commonly used in Modern Jazz, Post-Bop, Fusion. Notable players include John Coltrane, Woody Shaw, Steve Coleman. Use over m7b5 chords. Maintains bebop rhythmic alignment in the most dissonant harmonic context.
Notes: F#, G, A, B, C, C#, D, E
Intervals: 1P, 2m, 3m, 4P, 5d, 5P, 6m, 7m
Degrees: 1 b2 b3 4 5 6 b7 b8
Formula: H-W-W-H-H-H-W-W
Number of notes: 8
Tuning: Standard (D-G-B-D)
About Standard Tuning
The cavaquinho is a small four-string Brazilian instrument tuned D-G-B-D, producing a bright, punchy tone that drives the rhythm in samba, choro, and pagode. Its steel strings and small body create a percussive attack that cuts through percussion-heavy ensembles, making it the rhythmic backbone of Brazilian popular music.
The cavaquinho (also spelled cavaco) is to Brazilian music what the guitar is to rock — absolutely essential. In samba, the cavaquinho player provides the rhythmic centro (center) that holds the bateria (percussion section) together. In choro, it takes on a more melodic role, weaving intricate lines between the bandolim and guitar. Waldir Azevedo's 'Brasileirinho' is perhaps the most famous cavaquinho piece, showcasing the instrument's virtuosic potential. The cavaquinho is also the ancestor of the Hawaiian ukulele, brought to the islands by Portuguese immigrants.
Notable artists: Waldir Azevedo, Paulinho da Viola, Beth Carvalho, Nelson Cavaquinho, Luciana Rabello
Best for: Samba rhythm, choro melody and accompaniment, pagode, and Brazilian ensemble playing