E Pelog Cavaquinho Scale — Standard
Cavaquinho scale in Standard tuning — fretboard diagram
E Pelog in Standard — Notes and Intervals
The E Pelog scale is the primary modal system of Indonesian Gamelan music. On Cavaquinho, its notes are E, F, G, B, C. Unlike Western scales, it uses intervals that create a unique, shimmering harmonic world that feels ancient and deeply spiritual. Commonly used in Gamelan, World, Ambient, Experimental. Notable players include Steve Reich, Debussy, Lou Harrison. Use over drones and ostinato patterns. Gamelan music is built on interlocking melodic patterns rather than chord progressions.
Notes: E, F, G, B, C
Intervals: 1P, 2m, 3m, 5P, 6m
Degrees: 1 b2 b3 4 b5
Formula: H-W-4-H-4
Number of notes: 5
Tuning: Standard (D-G-B-D)
About Standard Tuning
The cavaquinho is a small four-string Brazilian instrument tuned D-G-B-D, producing a bright, punchy tone that drives the rhythm in samba, choro, and pagode. Its steel strings and small body create a percussive attack that cuts through percussion-heavy ensembles, making it the rhythmic backbone of Brazilian popular music.
The cavaquinho (also spelled cavaco) is to Brazilian music what the guitar is to rock — absolutely essential. In samba, the cavaquinho player provides the rhythmic centro (center) that holds the bateria (percussion section) together. In choro, it takes on a more melodic role, weaving intricate lines between the bandolim and guitar. Waldir Azevedo's 'Brasileirinho' is perhaps the most famous cavaquinho piece, showcasing the instrument's virtuosic potential. The cavaquinho is also the ancestor of the Hawaiian ukulele, brought to the islands by Portuguese immigrants.
Notable artists: Waldir Azevedo, Paulinho da Viola, Beth Carvalho, Nelson Cavaquinho, Luciana Rabello
Best for: Samba rhythm, choro melody and accompaniment, pagode, and Brazilian ensemble playing