E Locrian Cavaquinho Scale — Standard
Cavaquinho scale in Standard tuning — fretboard diagram
E Locrian in Standard — Notes and Intervals
The E Locrian scale is the seventh and most unstable mode of the major scale. On Cavaquinho, the notes are E, F, G, A, Bb, C, D. It sounds highly dissonant and unresolved, as its home chord is a diminished triad. While rare as a primary key, it is a crucial technical tool for jazz musicians improvising over half-diminished chords in tension-heavy passages. The diatonic chords of E Locrian are Em7b5, FMaj7, Gm7, Am7, BbMaj7, C7, Dm7. Commonly used in Jazz, Metal, Experimental, Avant-Garde. Notable players include John Coltrane, Meshuggah, Dream Theater. Use over m7b5 (half-diminished) chords. Essential for jazz ii-V-i in minor keys where the ii chord is half-diminished.
Notes: E, F, G, A, Bb, C, D
Intervals: 1P, 2m, 3m, 4P, 5d, 6m, 7m
Degrees: 1 b2 b3 4 5 b6 b7
Formula: H-W-W-H-W-W-W
Number of notes: 7
Tuning: Standard (D-G-B-D)
Diatonic Chords
Em7♭5 — FMaj7 — Gm7 — Am7 — B♭Maj7 — C7 — Dm7
About Standard Tuning
The cavaquinho is a small four-string Brazilian instrument tuned D-G-B-D, producing a bright, punchy tone that drives the rhythm in samba, choro, and pagode. Its steel strings and small body create a percussive attack that cuts through percussion-heavy ensembles, making it the rhythmic backbone of Brazilian popular music.
The cavaquinho (also spelled cavaco) is to Brazilian music what the guitar is to rock — absolutely essential. In samba, the cavaquinho player provides the rhythmic centro (center) that holds the bateria (percussion section) together. In choro, it takes on a more melodic role, weaving intricate lines between the bandolim and guitar. Waldir Azevedo's 'Brasileirinho' is perhaps the most famous cavaquinho piece, showcasing the instrument's virtuosic potential. The cavaquinho is also the ancestor of the Hawaiian ukulele, brought to the islands by Portuguese immigrants.
Notable artists: Waldir Azevedo, Paulinho da Viola, Beth Carvalho, Nelson Cavaquinho, Luciana Rabello
Best for: Samba rhythm, choro melody and accompaniment, pagode, and Brazilian ensemble playing