E Locrian Major Cavaquinho Scale — Standard
Cavaquinho scale in Standard tuning — fretboard diagram
E Locrian Major in Standard — Notes and Intervals
The E Locrian Major scale is a 20th-century hybrid that combines the stability of a major third with the dissonance of a Locrian base. On Cavaquinho, it contains the notes E, F#, G#, A, Bb, C, D. It was used by experimental composers to create a sound that is both familiar and alien. Commonly used in Experimental, Contemporary Classical, Avant-Garde. Notable players include Bela Bartok, Gyorgy Ligeti. Use in experimental composition over polytonal or atonal passages. A tool for creating cognitive dissonance.
Notes: E, F#, G#, A, Bb, C, D
Intervals: 1P, 2M, 3M, 4P, 5d, 6m, 7m
Degrees: 1 2 3 4 5 b6 b7
Formula: W-W-H-H-W-W-W
Number of notes: 7
Tuning: Standard (D-G-B-D)
Also known as: arabian
About Standard Tuning
The cavaquinho is a small four-string Brazilian instrument tuned D-G-B-D, producing a bright, punchy tone that drives the rhythm in samba, choro, and pagode. Its steel strings and small body create a percussive attack that cuts through percussion-heavy ensembles, making it the rhythmic backbone of Brazilian popular music.
The cavaquinho (also spelled cavaco) is to Brazilian music what the guitar is to rock — absolutely essential. In samba, the cavaquinho player provides the rhythmic centro (center) that holds the bateria (percussion section) together. In choro, it takes on a more melodic role, weaving intricate lines between the bandolim and guitar. Waldir Azevedo's 'Brasileirinho' is perhaps the most famous cavaquinho piece, showcasing the instrument's virtuosic potential. The cavaquinho is also the ancestor of the Hawaiian ukulele, brought to the islands by Portuguese immigrants.
Notable artists: Waldir Azevedo, Paulinho da Viola, Beth Carvalho, Nelson Cavaquinho, Luciana Rabello
Best for: Samba rhythm, choro melody and accompaniment, pagode, and Brazilian ensemble playing