B Flat Six Pentatonic Cavaquinho Scale — Standard
Cavaquinho scale in Standard tuning — fretboard diagram
B Flat Six Pentatonic in Standard — Notes and Intervals
The B Flat Six Pentatonic scale is a modern synthetic pentatonic used to imply the sound of the melodic minor system. On Cavaquinho, its notes are B, C#, D#, F#, G. It provides a poignant and slightly altered texture to major melodies, making it a favorite for contemporary jazz players looking for fresh melodic paths. Commonly used in Contemporary Jazz, Fusion, Post-Bop. Notable players include Pat Metheny, Kurt Rosenwinkel. Use over Maj7, mMaj7, and altered dominant chords. A modern jazz tool for fresh melodic paths.
Notes: B, C#, D#, F#, G
Intervals: 1P, 2M, 3M, 5P, 6m
Degrees: 1 2 3 4 b5
Formula: W-W-WH-H-4
Number of notes: 5
Tuning: Standard (D-G-B-D)
About Standard Tuning
The cavaquinho is a small four-string Brazilian instrument tuned D-G-B-D, producing a bright, punchy tone that drives the rhythm in samba, choro, and pagode. Its steel strings and small body create a percussive attack that cuts through percussion-heavy ensembles, making it the rhythmic backbone of Brazilian popular music.
The cavaquinho (also spelled cavaco) is to Brazilian music what the guitar is to rock — absolutely essential. In samba, the cavaquinho player provides the rhythmic centro (center) that holds the bateria (percussion section) together. In choro, it takes on a more melodic role, weaving intricate lines between the bandolim and guitar. Waldir Azevedo's 'Brasileirinho' is perhaps the most famous cavaquinho piece, showcasing the instrument's virtuosic potential. The cavaquinho is also the ancestor of the Hawaiian ukulele, brought to the islands by Portuguese immigrants.
Notable artists: Waldir Azevedo, Paulinho da Viola, Beth Carvalho, Nelson Cavaquinho, Luciana Rabello
Best for: Samba rhythm, choro melody and accompaniment, pagode, and Brazilian ensemble playing