E Locrian #2 Banjo 5 String Scale — Standard (Open G)
Banjo 5 String scale in Standard (Open G) tuning — fretboard diagram
E Locrian #2 in Standard (Open G) — Notes and Intervals
The E Locrian #2 scale is a more usable and consonant version of the standard Locrian mode. On Banjo 5 String, it contains the notes E, F#, G, A, Bb, C, D. It is the preferred choice for jazz musicians soloing over half-diminished chords, as its natural second degree allows for much smoother and more melodic voice leading. Commonly used in Jazz, Post-Bop, Contemporary. Notable players include John Coltrane, Woody Shaw, Steve Coleman. Use over m7b5 chords. The preferred jazz choice over half-diminished chords (vs standard Locrian which sounds too harsh).
Notes: E, F#, G, A, Bb, C, D
Intervals: 1P, 2M, 3m, 4P, 5d, 6m, 7m
Degrees: 1 2 b3 4 5 b6 b7
Formula: W-H-W-H-W-W-W
Number of notes: 7
Tuning: Standard (Open G) (G-D-G-B-D)
Also known as: half-diminished, aeolian b5
About Standard (Open G) Tuning
The 5-string banjo is tuned to an open G chord (g-D-G-B-D), with the distinctive 5th string — a short drone string that starts at the 5th fret. This unique design creates the banjo's signature sound: bright, ringing open strings that sustain over rapid three-finger picking patterns (rolls). The open G tuning means simply strumming produces a full G major chord.
Earl Scruggs revolutionized banjo playing in the 1940s with his three-finger picking style, creating the driving rhythmic sound that defines bluegrass. Béla Fleck later pushed the banjo into jazz, classical, and world music territories. The 5th string drone is what makes the banjo unique among fretted instruments — it provides a constant high G pedal tone that rings through every roll pattern, creating the instrument's hypnotic, cascading sound. In clawhammer (old-time) style, the 5th string serves as a rhythmic thumb drone between downstrokes.
Notable artists: Earl Scruggs, Béla Fleck, Tony Trischka, Noam Pikelny, Ralph Stanley
Best for: Bluegrass rolls, clawhammer old-time, folk fingerpicking, and any style that benefits from the banjo's distinctive ringing drone