Do Re MiC D E

Too Shy To Say

Wonder Stevie4/4pop♩= 65

Chord Diagrams — Too Shy To Say in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
Daug
7frEADGBE11432x
EADGBExx231
3frEADGBE11x32x
10frEADGBE1x423x
G
7frEADGBE111432
EADGBE213
3frEADGBE111342
5frEADGBE11x243
Em
7frEADGBE111342
EADGBE23
2frEADGBE11342
9frEADGBE4312xx
Cmaj
8frEADGBE111342
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
B7
7frEADGBE111132
EADGBEx2134
EADGBE111134
4frEADGBE111xx2
A♯
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243
G/B
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
Dadd9
5frEADGBEx1234
2frEADGBE11x324
7frEADGBExx314
10frEADGBExx3214
Gmaj7
5frEADGBE11333x
EADGBE321
3frEADGBE111423
10frEADGBE11x324
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
Cmaj9
EADGBEx3
EADGBE22143x
5frEADGBE11113
8frEADGBE11x234
C69
EADGBE11x334
3frEADGBEx134
7frEADGBE111234
9frEADGBEx22134
B7♭9
EADGBE11x234
5frEADGBE3241xx
7frEADGBE111x23
8frEADGBE11xx23
A♯maj7
EADGBE11x324
3frEADGBE111xx4
6frEADGBE111423
8frEADGBE11333x
A♯6
EADGBE3333x1
5frEADGBE2134
6frEADGBE113x24
10frEADGBEx4231x
A7♭9
EADGBE11x23
5frEADGBE111423
6frEADGBE11xx23
11frEADGBE11x234
A7
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
G♯6
3frEADGBE2x143x
EADGBE1111x3
6frEADGBE111x34
9frEADGBEx4231x
G7
3frEADGBE111132
EADGBE321
5frEADGBE11x324
10frEADGBE111134
Cadd9
EADGBEx13
EADGBEx213
7frEADGBE213
8frEADGBExx3214
C6
EADGBEx4231
3frEADGBE3333x1
7frEADGBE2x143x
8frEADGBE11x324
F
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
C
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342

Explore More

Too Shy To Say in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to D (ascending unison), D to G (ascending perfect fourth), G to E (descending minor third), E to C (descending major third), C to B (descending half step), B to A# (descending half step), A# to G (descending minor third), G to D (descending perfect fourth), D to G (ascending perfect fourth), G to F# (descending half step), F# to E (descending whole step), E to C (descending major third), C to C (ascending unison), C to B (descending half step), B to A# (descending half step), A# to A# (ascending unison), A# to A (descending half step), A to A (ascending unison), A to G# (descending half step), G# to G# (ascending unison), G# to G (descending half step), G to C (ascending perfect fourth), C to C (ascending unison), C to F (ascending perfect fourth), F to C (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C to D by whole step.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 48 bars · Form: AB

Chords: D, Daug, G, Em, Cmaj, B7, A♯, G/B, Dadd9, Gmaj7, F♯m7, Em7, Cmaj9, C69, B7♭9, A♯maj7, A♯6, A7♭9, A7, G♯maj7, G♯6, G7, Cadd9, C6, F, C.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C