Do Re MiC D E

That's The Way Of The World

Earth, Wind and Fire (White-Stepney-White)4/4funk♩= 86
C♯11
F♯6/D♭
F♯m6/D♭
C♯11
F♯6/D♭
F♯m6/D♭
C♯11
F♯6/D♭
F♯m6/D♭
C♯11
F♯6/D♭
F♯m6/D♭
C♯11
F♯6/D♭
F♯m6/D♭
C♯11
F♯6/D♭
F♯m6/D♭
G♯7sus4
F♯maj13
B9/A
C♯maj7/A♭
C♯11
G♯7sus4
C♯11
F♯6/D♭
F♯m6/D♭
F♯maj13
B9/A
C♯maj7/A♭
C♯11
B9/A
C♯maj7/A♭
C♯11
B9/A
F♯maj13
B9/A
C♯maj7/A♭
C♯11
B9/A
C♯maj7/A♭
C♯11
G♯7sus4
C♯maj7/A♭
C♯11
F♯maj13
B9/A
C♯maj7/A♭
C♯11
F♯maj13
B9/A

Chord Diagrams — That's The Way Of The World in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
C♯11
4frEADGBE111x23
EADGBEx213
8frEADGBE111234
9frEADGBE111123
F♯6/D♭
4frEADGBE111x34
EADGBE2x143x
EADGBE11x324
9frEADGBE3333x1
F♯m6/D♭
4frEADGBE111x32
EADGBE2x1334
7frEADGBE11x324
8frEADGBEx2413x
G7♭5
5frEADGBExx1234
EADGBE2x341x
9frEADGBEx3142
10frEADGBE11x23x
F♯maj7
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
D♯9
EADGBExx132
5frEADGBEx21334
10frEADGBE3142xx
11frEADGBE111324
G♯7sus4
EADGBE1122xx
4frEADGBE111134
9frEADGBE11x234
11frEADGBE111134
F♯maj13
EADGBE111123
4frEADGBE11x234
6frEADGBE11x423
9frEADGBE11x234
B9
EADGBEx21334
4frEADGBE111432
7frEADGBE111324
8frEADGBExx2143
B9/A
EADGBEx21334
4frEADGBE111432
7frEADGBE111324
8frEADGBExx2143
C♯maj7/A♭
EADGBE111x43
4frEADGBE111324
6frEADGBE11xxx3
9frEADGBE1x342x
D♯m7
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114

Explore More

That's The Way Of The World in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to G (ascending half step), G to F# (descending half step), F# to F (descending half step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to F# (descending whole step), F# to B (ascending perfect fourth), B to B (ascending unison), B to C# (ascending whole step), C# to D# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D# to C# by whole step.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

funk4/4 · 82 bars · Form: CABDC

Chords: C♯maj7, C♯11, F♯6/D♭, F♯m6/D♭, G7♭5, F♯maj7, Fm7, A♯m7, D♯9, G♯7sus4, F♯maj13, B9, B9/A, C♯maj7/A♭, D♯m7.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#