Do Re MiC D E

Still Got The Blues

Moore Gary4/4blues♩= 63

Chord Diagrams — Still Got The Blues in A (Guitar)

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Still Got The Blues in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to D (ascending unison), D to C (descending whole step), C to F (ascending perfect fourth), F to B (ascending tritone), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to A (ascending unison), A to E (descending perfect fourth), E to D (descending whole step), D to F (ascending minor third), F to E (descending half step), E to B (descending perfect fourth), B to E (ascending perfect fourth), E to E (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to D by whole step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

blues4/4 · 113 bars · Form: AABCBD

Chords: Dm7, Dm7/G, Cmaj7, Fmaj7, Bm7♭5, E7, Am, Am/B, Am/C, Em, D9, F9, E7♯9, Bm7, E7sus4, Em7.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A