Do Re MiC D E

Sister Moon

Sting (Gordon Sumner)4/4ballad♩= 69
AmMaj9
D13
%
%
%
%
%
%
%
%
%
%
AmMaj9
D13
D13/C
Am7/E
E7/F
G/G♯
Am/C♯
AmMaj9
D13
G/G♯
Am/C♯
E7sus4
AmMaj9
D13
AmMaj9
D13
%
%
%
%
%
%
%
%
%
AmMaj9
D13
D13/C
Am7/E
E7/F
G/G♯
Am/C♯
AmMaj9
D13
G/G♯
Am/C♯
E7sus4
AmMaj9
D13
%
AmMaj9
D13
%
G/G♯
Am/C♯
E7sus4
G/G♯
Am/C♯
E7sus4
AmMaj9
D13
%
%
%
%
%

Chord Diagrams — Sister Moon in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112

Explore More

Sister Moon in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to D (ascending perfect fourth), D to D (ascending unison), D to E (ascending whole step), E to F (ascending half step), F to F# (ascending half step), F# to A (ascending minor third), A to E (descending perfect fourth), E to G (ascending minor third), G to A (ascending whole step), A to E (descending perfect fourth), E to E (ascending unison), E to C# (descending minor third), C# to C# (ascending unison), C# to C# (ascending unison), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to G# (ascending whole step), G# to A (ascending half step), A to B (ascending whole step), B to F (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F to A by major third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 53 bars · Form: ABC

Chords: AmMaj9, D13, D13/C, E7, F7, F♯m7♭5, Am7/E, E7/F, G/G♯, Am/C♯, Esus4, E7sus4, C♯m, C♯mMaj7, C♯m7, C♯m6, F♯m7, G♯m7, Amaj7, B7, Fmaj7.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A