Do Re MiC D E

New York State Of Mind

Joel Billy4/4pop♩= 61
A♯/B
Cm7/G
G♯maj
G♯maj/E
G♯maj9
A♯9sus4
G♯/G
A♯/B
Cm7/G
G♯maj
G♯maj/E
G♯maj9
A♯9sus4
A♯/B
Cm7/G
G♯maj
G♯maj/E
G♯maj9
A♯9sus4
G♯/G
A♯/B
Cm7/G
G♯maj
G♯maj/E
G♯maj9
A♯9sus4
Fm11
Emaj7♯11
D♯maj7♯11

Chord Diagrams — New York State Of Mind in D# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
G7♯9
3frEADGBE114432
EADGBE3241
4frEADGBE44x231
9frEADGBEx2134x
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
D♯9
5frEADGBEx21334
EADGBExx132
10frEADGBE3142xx
11frEADGBE111324
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
C7
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
C♯7
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
A♯/B
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
Cm7/G
3frEADGBE111132
EADGBEx2134x
4frEADGBExx2314
8frEADGBE111113
G♯maj
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
G♯maj/E
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
F9
EADGBExx2143
EADGBE111324
7frEADGBE221334
10frEADGBE1111x2
G♯maj9
3frEADGBE111243
EADGBE1111x4
4frEADGBE113224
10frEADGBE22143x
A♯9sus4
A♯ - D♯ - F - G♯ - C
G♯/G
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
A♯9
5frEADGBE11234x
EADGBEx1234
6frEADGBE111324
12frEADGBEx21333
G7
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134
A♯maj7
6frEADGBE111423
EADGBE11x324
3frEADGBE111xx4
8frEADGBE11333x
Dm7
6frEADGBExx2314
EADGBExx312
5frEADGBE111132
10frEADGBE111113
G9sus4
G - C - D - F - A
Cmaj7
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
F9sus4
F - B♭ - C - E♭ - G
A♯sus4
3frEADGBE11xx24
EADGBE11x234
6frEADGBE111333
8frEADGBE11x234
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
F♯maj7
EADGBE111423
4frEADGBE11x333
6frEADGBE111x43
9frEADGBE111324
Bmaj7
EADGBE111324
4frEADGBE111xx4
7frEADGBE111423
9frEADGBE11333x
Fm11
EADGBE11xx23
EADGBE111114
6frEADGBE11x234
11frEADGBE111342
Emaj7♯11
EADGBE11234
4frEADGBE11x423
7frEADGBE11x234
11frEADGBE111123
D♯maj7♯11
EADGBEx314x
3frEADGBE11x423
6frEADGBE11x234
10frEADGBE111123

Explore More

New York State Of Mind in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to G (ascending major third), G to C (ascending perfect fourth), C to A# (descending whole step), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C (ascending major third), C to F (ascending perfect fourth), F to C# (descending major third), C# to A# (descending minor third), A# to C (ascending whole step), C to G# (descending major third), G# to G# (ascending unison), G# to F (descending minor third), F to G# (ascending minor third), G# to A# (ascending whole step), A# to G# (descending whole step), G# to A# (ascending whole step), A# to G (descending minor third), G to A# (ascending minor third), A# to D (ascending major third), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to F# (descending major third), F# to B (ascending perfect fourth), B to F (ascending tritone), F to E (descending half step), E to D# (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to D# by unison.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 79 bars · Form: AABAC

Chords: D♯, G7♯9, Cm7, A♯m7, D♯9, G♯maj7, C7, Fm7, C♯7, A♯/B, Cm7/G, G♯maj, G♯maj/E, F9, G♯maj9, A♯9sus4, G♯/G, A♯9, G7, A♯maj7, Dm7, G9sus4, Cmaj7, F9sus4, A♯sus4, A♯7, F♯maj7, Bmaj7, Fm11, Emaj7♯11, D♯maj7♯11.

Scales for Improvisation D# bebop, D# bebop major.

Diatonic chords: See all chords in the key of D#