Do Re MiC D E

Living For The City Page 1

Wonder Stevie4/4funk♩= 99
A♯m/G♭
A♯m/G♭
A♯m/G♭
A♯m/G♭
A♯m/G♭
A♯m/G♭
A♯m/G♭
A♯m/G♭
A♯m/G♭
A♯m/G♭
A♯m/G♭
A♯m/G♭
C♯13
D♯13
A♯m/G♭
A♯m/G♭
A♯m/G♭
A♯m/G♭
A♯m/G♭
A♯m/G♭
A♯m/G♭
A♯m/G♭
A♯m/G♭
A♯m/G♭
C♯13
D♯13
A♯m/G♭
A♯m/G♭
G♯/E
D/B♭
%
A♯m/G♭
A♯m/G♭
A♯m/G♭
A♯m/G♭
A♯m/G♭
A♯m/G♭
A♯m/G♭
A♯m/G♭
C♯13
D♯13
A♯m/G♭
A♯m/G♭
A♯m/G♭
A♯m/G♭
A♯m/G♭
A♯m/G♭
A♯m/G♭
A♯m/G♭
A♯m/G♭
A♯m/G♭
C♯13
D♯13
A♯m/G♭
A♯m/G♭
A♯m/G♭
G♯/E
D/B♭
%
A♯m/G♭
A♯m/G♭
A♯m/G♭
A♯m/G♭
G♯/E
D/B♭
%
%
%

Chord Diagrams — Living For The City Page 1 in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
A♯m/G♭
6frEADGBE111xx3
EADGBE11x342
6frEADGBE111134
8frEADGBExx1342
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
C♯13
7frEADGBE222341
EADGBEx4231
4frEADGBE111134
9frEADGBE111234
D♯13
6frEADGBE111134
5frEADGBE44x213
9frEADGBE11423
11frEADGBE111234
G♯/E
6frEADGBE11x243
EADGBE11132x
4frEADGBE111342
8frEADGBE111432
Fm7♭5
8frEADGBEx1324x
EADGBE1x23x
EADGBE222xx1
11frEADGBE2134x
Esus4
7frEADGBE111234
EADGBE234
2frEADGBE11234
9frEADGBE11xx2
E
7frEADGBE111234
EADGBE231
2frEADGBExx1243
4frEADGBE111432
D
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
D/B♭
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
B
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243

Explore More

Living For The City Page 1 in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to A# (ascending whole step), A# to G# (descending whole step), G# to C# (ascending perfect fourth), C# to D# (ascending whole step), D# to G# (ascending perfect fourth), G# to F (descending minor third), F to E (descending half step), E to E (ascending unison), E to D (descending whole step), D to D (ascending unison), D to B (descending minor third), B to A (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A to G# by half step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Try the major blues scale — adding the flat 3rd as a passing chromatic note gives bends and slides an expressive, soulful quality.

funk4/4 · 87 bars · Form: ABABCB

Chords: G♯, A♯m/G♭, G♯m7, C♯13, D♯13, G♯/E, Fm7♭5, Esus4, E, D, D/B♭, B, A.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#