Do Re MiC D E

Jóga

Björk (Björk, Sjón)4/4pop♩= 70
E5
F5
E5
F5
E5
F5
G5
F5
E5
F5
G5
F5
E5
F5
G5
A5
C/A
D2
A5
C/A
C/A
%
F5
F5
F5
F5
E5
F5
E5
F5
G5
F5
E5
F5
G5
F5
E5
F5
G5
A5
C/A
D2
A5
C/A
D2
A5
C/A
C/A
C/B
C/C♯
C6/G♯
C/C♯
C6/F♯
F5/C♯
F5/G♯
F5/C♯
F5/B
Em/C♯
Em/C♯
F5/C♯
C/C♯
C6/G♯
C/C♯
C6/F♯
F5/C♯
F5/G♯
F5/C♯
F5/B
Em/C♯
Em/C♯
F5/C♯
C/C♯
C/G♯
C/C♯
C/F♯
F5/C♯
F5/G♯
F5/C♯
F5/B
Em/C♯
Em/C♯
D5
%
%
%
%
D5
G5
A5
C/A
D2
A5
C/A
C/A
%
C/C♯
C6/G♯
C/C♯
C6/F♯
F5/C♯
F5/G♯
F5/C♯
F5/B
Em/C♯
Em/C♯
F5/C♯
C/C♯
C6/G♯
C/C♯
C6/F♯
F5/C♯
F5/G♯
F5/C♯
F5/B
Em/C♯
Em/C♯
F5/C♯

Chord Diagrams — Jóga in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
E5
E - B
F5
F - C
G
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
A
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
G5
G - D
A5
A - E
C/A
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
D2
EADGBExx23
2frEADGBE11xx24
5frEADGBE111134
7frEADGBE11144x
G6
EADGBE21
EADGBE2x143x
5frEADGBE111x34
10frEADGBE3333x1
C
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
C6
EADGBEx4231
3frEADGBE3333x1
7frEADGBE2x143x
8frEADGBE11x324
Em
EADGBE23
2frEADGBE11342
7frEADGBE111342
9frEADGBE4312xx
C/B
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
C/C♯
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
C6/G♯
EADGBEx4231
3frEADGBE3333x1
7frEADGBE2x143x
8frEADGBE11x324
C6/F♯
EADGBEx4231
3frEADGBE3333x1
7frEADGBE2x143x
8frEADGBE11x324
F5/C♯
C♯ - F - C
F5/G♯
G♯ - F - C
F5/B
B - F - C
Em/C♯
EADGBE23
2frEADGBE11342
7frEADGBE111342
9frEADGBE4312xx
C/G♯
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
C/F♯
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
D5
D - A

Explore More

Jóga in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to F (ascending half step), F to G (ascending whole step), G to A (ascending whole step), A to G (descending whole step), G to A (ascending whole step), A to C (ascending minor third), C to D (ascending whole step), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to C (ascending unison), C to E (ascending major third), E to C (descending major third), C to C (ascending unison), C to C (ascending unison), C to C (ascending unison), C to F (ascending perfect fourth), F to F (ascending unison), F to F (ascending unison), F to E (descending half step), E to C (descending major third), C to C (ascending unison), C to D (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D to E by whole step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Layer in the full major scale for melodic runs, reserving the pentatonic for riff-based phrases.

pop4/4 · 65 bars · Form: ABCCC

Chords: E5, F5, G, A, G5, A5, C/A, D2, G6, C, C6, Em, C/B, C/C♯, C6/G♯, C6/F♯, F5/C♯, F5/G♯, F5/B, Em/C♯, C/G♯, C/F♯, D5.

Scales for Improvisation E bebop minor, E bebop.

Diatonic chords: See all chords in the key of E