Do Re MiC D E

Golden Lady

Wonder Stevie4/4pop♩= 104

Chord Diagrams — Golden Lady in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯maj7
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
G♯m9
4frEADGBE111134
EADGBE11143
7frEADGBE221341
9frEADGBEx21344
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
F7sus4
6frEADGBE111234
EADGBE111134
8frEADGBE111134
10frEADGBE11xx34
F7
8frEADGBE111134
EADGBE111132
3frEADGBE11x324
10frEADGBE111xx2
C♯maj7
9frEADGBE1x342x
EADGBE111x43
4frEADGBE111324
6frEADGBE11xxx3
Bm7
9frEADGBE11x423
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
E7
9frEADGBE111xx2
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
Amaj7
7frEADGBE333x1
EADGBEx213
EADGBE111x4
5frEADGBE111423
Am7
7frEADGBE11x423
EADGBEx21
EADGBEx2314
5frEADGBE111113
D9
7frEADGBEx1234
4frEADGBE221334
9frEADGBE11234x
10frEADGBE111324
Cm9
6frEADGBEx13244
EADGBEx21344
EADGBEx1243
8frEADGBE111134
A♯m
6frEADGBE111134
EADGBE11x342
6frEADGBE111xx3
8frEADGBExx1342
A♯mMaj7
6frEADGBE111132
EADGBE11x423
8frEADGBE11x342
10frEADGBE11x42x
A♯m6
6frEADGBE111234
EADGBEx13x24
3frEADGBEx2314x
5frEADGBE2x1334
Bmaj7
7frEADGBE111423
EADGBE111324
4frEADGBE111xx4
9frEADGBE11333x
A♯maj7
6frEADGBE111423
EADGBE11x324
3frEADGBE111xx4
8frEADGBE11333x
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
C♯7sus4
6frEADGBExxx123
EADGBE11x234
4frEADGBE111134
9frEADGBE111134
F♯7
7frEADGBEx3241x
EADGBE111132
4frEADGBE11x324
9frEADGBE111134
Bm
7frEADGBE111134
EADGBE111342
9frEADGBExx1342
10frEADGBExx3241
BmMaj7
7frEADGBE111132
EADGBEx132
EADGBE111423
9frEADGBE11x342
Bm6
7frEADGBE111234
EADGBE2314
EADGBExx2314
6frEADGBE2x134x
Cmaj7
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
Cm
5frEADGBE1142xx
EADGBEx3214
3frEADGBE111342
8frEADGBE111134
CmMaj7
3frEADGBE111423
EADGBEx31x
8frEADGBE111132
10frEADGBExx1342
Cm6
3frEADGBEx13x24
EADGBE11x324
7frEADGBE2x1334
8frEADGBE111234
C♯m
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
C♯mMaj7
4frEADGBE111423
EADGBE11x42x
9frEADGBE111132
11frEADGBE11x342
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
C♯m6
5frEADGBExx2314
EADGBE11x324
8frEADGBE2x134x
9frEADGBE111234
Dmaj7
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
Dm
5frEADGBE111342
EADGBExx231
6frEADGBEx4231x
10frEADGBE111134
DmMaj7
5frEADGBE111423
EADGBExx231
2frEADGBE11x42
10frEADGBE111132
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
Dm6
5frEADGBEx13x24
EADGBExx21
3frEADGBE11x324
9frEADGBE2x1333
D♯maj7
6frEADGBE111324
EADGBE11333x
3frEADGBE111x43
8frEADGBE111xx4

Explore More

Golden Lady in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to G# (ascending whole step), G# to A# (ascending whole step), A# to C (ascending whole step), C to F (ascending perfect fourth), F to F (ascending unison), F to C# (descending major third), C# to B (descending whole step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to D (ascending perfect fourth), D to C (descending whole step), C to A# (descending whole step), A# to A# (ascending unison), A# to A# (ascending unison), A# to B (ascending half step), B to A# (descending half step), A# to G# (descending whole step), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison), B to B (ascending unison), B to C (ascending half step), C to C (ascending unison), C to C (ascending unison), C to C (ascending unison), C to C# (ascending half step), C# to C# (ascending unison), C# to C# (ascending unison), C# to C# (ascending unison), C# to D (ascending half step), D to D (ascending unison), D to D (ascending unison), D to D (ascending unison), D to D (ascending unison), D to D# (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D# to F# by minor third.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 112 bars · Form: ABA

Chords: F♯maj7, G♯m9, A♯m7, Cm7, F7sus4, F7, C♯maj7, Bm7, E7, Amaj7, Am7, D9, Cm9, A♯m, A♯mMaj7, A♯m6, Bmaj7, A♯maj7, G♯m7, C♯7sus4, F♯7, Bm, BmMaj7, Bm6, Cmaj7, Cm, CmMaj7, Cm6, C♯m, C♯mMaj7, C♯m7, C♯m6, Dmaj7, Dm, DmMaj7, Dm7, Dm6, D♯maj7.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#