Do Re MiC D E

Can't Help Falling In Love

Elvis Presley (Peretti-Creatore-Weiss)4/4ballad♩= 69
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Gm7/A
Gm7/A
A♯/F♯
F7/E
D♯/E
A♯/A
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Gm7/A
Gm7/A
Gm7/A
A♯/F♯
F7/E
D♯/E
A♯/A
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D♯/E
A♯/A
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Chord Diagrams — Can't Help Falling In Love in A# (Guitar)

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Can't Help Falling In Love in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to F (descending perfect fourth), F to D (descending minor third), D to G (ascending perfect fourth), G to G (ascending unison), G to D# (descending major third), D# to A# (descending perfect fourth), A# to F (descending perfect fourth), F to F (ascending unison), F to D# (descending whole step), D# to A# (descending perfect fourth), A# to A (descending half step), A to G (descending whole step), G to C (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to A# by whole step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 96 bars · Form: ABAC

Chords: A♯, F7, Dm7, Gm7, Gm7/A, D♯, A♯/F♯, F7/E, F, D♯/E, A♯/A, A7, G9, Cm7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#