Do Re MiC D E

Ben

Michael Jackson (Black, Scharf)4/4ballad♩= 70
D♯/F
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%
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F7/E
F7/E
A♯maj
D7sus4
D7/C♯
D♯/F
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F7/E
F7/E
A♯maj
D7sus4
D7/C♯
D♯/F
%
A♯maj
F7/E
D♯/F
%
%
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Chord Diagrams — Ben in A# (Guitar)

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Ben in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to D# (ascending perfect fourth), D# to F (ascending whole step), F to A# (ascending perfect fourth), A# to D (ascending major third), D to D (ascending unison), D to G# (ascending tritone), G# to G (descending half step), G to F# (descending half step), F# to F (descending half step), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to C (ascending whole step), C to A# (descending whole step), A# to A# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A# to A# by unison.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 45 bars · Form: AABC

Chords: A♯, D♯/F, F7/E, A♯maj, D7sus4, D7/C♯, G♯7, G7, F♯7, F7, A♯m, A♯m9, Cm7, A♯maj7, A♯6.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#