Do Re MiC D E

Baker Street

Rafferty Gerry4/4rock
D♯/A
B/F
C♯/G
%
D♯/A
B/F
C♯/G
%
A♯5
A♯5
A♯5/G
A♯5
A♯5
A♯5/G
D♯5
%
D♯5
%
A♯5
A♯5
A♯5/G
A♯5
A♯5
A♯5/G
D♯5
%
A♯5
A♯5
A♯5/G
A♯5
A♯5
A♯5/G
D♯5
%
A♯5
A♯5
A♯5/G
A♯5
A♯5
A♯5/G
D♯5
%

Chord Diagrams — Baker Street in A# (Guitar)

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Baker Street in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to B (descending major third), B to C# (ascending whole step), C# to A# (descending minor third), A# to A# (ascending unison), A# to G# (descending whole step), G# to F (descending minor third), F to D# (descending whole step), D# to F (ascending whole step), F to F (ascending unison), F to C (descending perfect fourth), C to D# (ascending minor third), D# to A# (descending perfect fourth), A# to A# (ascending unison), A# to A# (ascending unison), A# to F (descending perfect fourth). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F to D# by whole step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

rock4/4 · 80 bars · Form: ABD

Chords: D♯/A, B/F, C♯/G, A♯5, A♯5/G, G♯, F7, D♯5, F, Fsus4, Cm, D♯, A♯, A♯sus4, A♯m7, Fm7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#