Do Re MiC D E

Angel

Hendrix Jimi4/4rock♩= 70
Em7/F♯
%
Dm7/F♯
%
Em7/F♯
%
Dm7/F♯
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A♯/B
A♯/B

Chord Diagrams — Angel in A# (Guitar)

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Angel in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through E to D (descending whole step), D to C (descending whole step), C to G (descending perfect fourth), G to D (descending perfect fourth), D to F (ascending minor third), F to A# (ascending perfect fourth), A# to G# (descending whole step), G# to E (descending major third), E to A# (ascending tritone), A# to A# (ascending unison), A# to C (ascending whole step), C to F# (ascending tritone), F# to D# (descending minor third), D# to G# (ascending perfect fourth), G# to A (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to E by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Use the Lydian mode (raised 4th) over the IV chord for a dreamy, floating quality that lifts the harmony.

rock4/4 · 31 bars · Form: AB

Chords: Em7/F♯, Dm7/F♯, C, G, Dm7, F, A♯/B, G♯maj9, Em7, A♯, A♯maj7, Cm7, F♯, D♯/C♯, G♯, A.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#