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Alone Again (Naturally)

O'Sullivan Gilbert4/4pop♩= 90

Chord Diagrams — Alone Again (Naturally) in A# (Guitar)

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Alone Again (Naturally) in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to A# (ascending unison), A# to D (ascending major third), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to F (ascending unison), F to D (descending minor third), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to A# (descending whole step), A# to A# (ascending unison), A# to A (descending half step), A to C# (ascending major third), C# to G# (descending perfect fourth), G# to G (descending half step), G to F (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to A# by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 45 bars · Form: AB

Chords: A♯maj7, A♯6, Dm7, G7, Cm7, F7♭9, Fm7, Dm7♭5, G7♭9, Cm7♭5, A♯, A♯aug, A7, C♯, G♯7, Gm7♭5, Fmaj7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#