Garota de Ipanema in B

Antônio Carlos Jobim / Vinícius de Moraes(1962)bossa-novaBossa-nova moderato

Garota de Ipanema in B

Garota de Ipanema in B — Antônio Carlos Jobim / Vinícius de Moraes's bossa nova classic. Explore Bebop Major and Lydian scales over these sophisticated changes. Chords: Bmaj7 – C#7 – C#m7 – C7 – Cmaj7 – F7 – Cm7 – G#7 – A7 – D#m7.

Garota de Ipanema in B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to C# (ascending whole step), C# to C# (ascending unison), C# to C (descending half step), C to C (ascending unison), C to F (ascending perfect fourth), F to C (descending perfect fourth), C to G# (descending major third), G# to A (ascending half step), A to D# (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D# to B by major third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 32 bars · Form: AABA

Chords: Bmaj7, C♯7, C♯m7, C7, Cmaj7, F7, Cm7, G♯7, A7, D♯m7.

Scales for Improvisation B bebop, B bebop major.