Garota de Ipanema in A

Antônio Carlos Jobim / Vinícius de Moraes(1962)bossa-novaBossa-nova moderato

Garota de Ipanema in A

Garota de Ipanema in A — Antônio Carlos Jobim / Vinícius de Moraes's bossa nova classic. Explore Bebop Major and Lydian scales over these sophisticated changes. Chords: Amaj7 – B7 – Bm7 – A#7 – A#maj7 – D#7 – A#m7 – F#7 – G7 – C#m7.

Garota de Ipanema in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to B (ascending whole step), B to B (ascending unison), B to A# (descending half step), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to A# (descending perfect fourth), A# to F# (descending major third), F# to G (ascending half step), G to C# (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C# to A by major third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 32 bars · Form: AABA

Chords: Amaj7, B7, Bm7, A♯7, A♯maj7, D♯7, A♯m7, F♯7, G7, C♯m7.

Scales for Improvisation A bebop, A bebop major.