Palo Pa' Rumba in A

Eddie Palmieri(1984)salsaGuaracha
Do Re MiC D E
Clave 3-2
A
A
B
A
Variation

Chord Diagrams — Palo Pa' Rumba in A (Guitar)

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Palo Pa' Rumba in A

Palo Pa' Rumba in A: Eddie Palmieri's minor salsa. Dorian and Harmonic Minor scales give this groove its characteristic dark edge. Chords: Am6 – G7 – F69 – G – G13 – Em7b5 – A7#9 – Dm – DmM7 – Dm7 – Dm6 – Bm7b5 – E7b9 – E7 – Am7 – D7#9 – Gmaj9 – C13 – Fmaj9 – E7#9 – Am69.

Palo Pa' Rumba in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to G (descending whole step), G to F (descending whole step), F to G (ascending whole step), G to G (ascending unison), G to E (descending minor third), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to D (ascending unison), D to D (ascending unison), D to D (ascending unison), D to B (descending minor third), B to E (ascending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to E (descending half step), E to A (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to A by unison.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

salsa4/4 · 62 bars · Form: AABA

Chords: Am6, G7, F69, G, G13, Em7♭5, A7♯9, Dm, DmM7, Dm7, Dm6, Bm7♭5, E7♭9, E7, Am7, D7♯9, Gmaj9, C13, Fmaj9, E7♯9, Am69.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A