La Engañadora in F

Enrique Jorrín(1951)cha-cha-chaCha-Cha-Chá ♩=98
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Chord Diagrams — La Engañadora in F (Guitar)

La Engañadora in F

La Engañadora in F: Enrique Jorrín's minor cha-cha-chá. Dorian and Harmonic Minor scales give this groove its characteristic dark edge. Chords: Fm7 – A#7 – D#6 – Edim7 – FMaj7 – A#9 – A#9b5 – A#m7 – A#m7b5 – D#7 – G#Maj7 – G#6 – G# – E – D# – Cm7 – F7 – A#.

La Engañadora in F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to E (ascending half step), E to F (ascending half step), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to A# (ascending unison), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to G# (ascending unison), G# to E (descending major third), E to D# (descending half step), D# to C (descending minor third), C to F (ascending perfect fourth), F to A# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to F by perfect fourth.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

cha-cha-cha4/4 · 18 bars · Form: AB

Chords: Fm7, A♯7, D♯6, Edim7, FMaj7, A♯9, A♯9♭5, A♯m7, A♯m7♭5, D♯7, G♯Maj7, G♯6, G♯, E, D♯, Cm7, F7, A♯.

Scales for Improvisation F bebop minor, F bebop.