Flight To Jordan in C

Duke Jordan, arr. Tito Puente(1964)jazz-son-montunoJazz Son-Montuno, quarter = 120
Do Re MiC D E
I
n
t
r
o
-
A
-
C
o
d
a
G♯maj9
D♯maj9
D♯maj9
C♯maj9
C♯maj9
Cm69
Cm69
D♯69
G7♯5
Cm69
Cm69
D♯69
G7♯5
Cm69
G♯maj9
Cm69

Chord Diagrams — Flight To Jordan in C (Guitar)

Cm7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
G♯maj9
EADGBE1111x4
3frEADGBE1112434frEADGBE11322410frEADGBE22214x
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
Fm9
EADGBE111134
EADGBEx12346frEADGBE2222x111frEADGBE22221
D♯maj9
3frEADGBE1111x4
5frEADGBEx2143x8frEADGBE1111x411frEADGBExx2314
C♯maj9
EADGBE1111x4
3frEADGBEx2143x8frEADGBE11124310frEADGBExx2143
Cm9
EADGBE2222x1
EADGBEx12436frEADGBE333x128frEADGBE111134
Cm69
EADGBE333x12
3frEADGBEx1246frEADGBE4123xx8frEADGBE2222x1
D♯69
EADGBExx234
EADGBE1111x25frEADGBE11x23410frEADGBE111234
D7♯9
4frEADGBEx2134x
7frEADGBE4127frEADGBE111x2310frEADGBE111324
G7♯5
EADGBE4312
EADGBE1x234x5frEADGBExx142310frEADGBE11x432
D♯9
EADGBExx132
5frEADGBE2222x110frEADGBE3142xx11frEADGBE111324
G7♯9
EADGBE3241
3frEADGBE1144324frEADGBE44x2319frEADGBEx2134x
G13
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14

Flight To Jordan in C

Flight To Jordan in C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to A# (descending whole step), A# to G# (descending whole step), G# to G (descending half step), G to F (descending whole step), F to D# (descending whole step), D# to C# (descending whole step), C# to C (descending half step), C to C (ascending unison), C to D# (ascending minor third), D# to D (descending half step), D to G (ascending perfect fourth), G to D# (descending major third), D# to G (ascending major third), G to G (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G to C by perfect fourth.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

jazz-son-montuno4/4 · 21 bars · Form: Intro-A-Coda

Chords: Cm7, A♯m7, G♯maj9, Gm7, Fm9, D♯maj9, C♯maj9, Cm9, Cm69, D♯69, D7♯9, G7♯5, D♯9, G7♯9, G13.

Scales for Improvisation C bebop minor, C bebop.