Déjame Soñar in C

Périñ Vásquez(1990)mamboMambo ♩= 102 (2-3 Clave)
Do Re MiC D E
Clave 2-3
I
n
t
r
o
-
A
-
B
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C
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D
-
E

Chord Diagrams — Déjame Soñar in C (Guitar)

Bm9
EADGBEx1234
3frEADGBE222x147frEADGBE11113410frEADGBE112234
Bm6
EADGBE2314
EADGBExx23146frEADGBE2x134x7frEADGBE111234
Em9
EADGBE24
EADGBE12435frEADGBE2222x110frEADGBE11324
Em6
EADGBE123
EADGBE111325frEADGBE11x3248frEADGBExx2314
F♯7alt
EADGBExx4312
EADGBE11243x4frEADGBExx12439frEADGBE11x234
E9
EADGBE213
EADGBE113x426frEADGBE2222219frEADGBE11112
A13
EADGBEx123
3frEADGBE42315frEADGBE11132411frEADGBE44x213
Dmaj7
EADGBE111xx
2frEADGBE111x435frEADGBE1113247frEADGBE111xx4
Gmaj7
EADGBE321
3frEADGBE1114235frEADGBE11333x10frEADGBE11x324
C9♭5
EADGBE11x234
EADGBEx14237frEADGBE1112348frEADGBE1123x4
BmM9
B - D - F♯ - A♯ - C♯
E13♯11
E - G♯ - B - D - F♯ - A♯ - C♯
G13
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
Bm
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
A9
2frEADGBE431
EADGBE11x325frEADGBE11132411frEADGBE2222x1
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx248frEADGBE2x341x11frEADGBE222xx1
C13
2frEADGBE44x213
3frEADGBE1111346frEADGBE2223418frEADGBE111324
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
A
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
G
EADGBE213
3frEADGBE1113425frEADGBE11x2437frEADGBE111432
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
F♯7♯5
EADGBE1x234x
4frEADGBExx14237frEADGBEx43129frEADGBE11x432
Am7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
D7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132

Déjame Soñar in C

Déjame Soñar in C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through B to B (ascending unison), B to E (ascending perfect fourth), E to E (ascending unison), E to F# (ascending whole step), F# to E (descending whole step), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to B (descending half step), B to E (ascending perfect fourth), E to G (ascending minor third), G to F# (descending half step), F# to B (ascending perfect fourth), B to A (descending whole step), A to C# (ascending major third), C# to C (descending half step), C to B (descending half step), B to A (descending whole step), A to G (descending whole step), G to E (descending minor third), E to A (ascending perfect fourth), A to G (descending whole step), G to F# (descending half step), F# to A (ascending minor third), A to D (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from D to B by minor third.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

mambo4/4 · 66 bars · Form: Intro-A-B-C-D-E

Chords: Bm9, Bm6, Em9, Em6, F♯7alt, E9, A13, Dmaj7, Gmaj7, C9♭5, BmM9, E13♯11, G13, F♯7, Bm, A9, C♯m7♭5, C13, Bm7, A, G, E7, A7, G7, F♯7♯5, Am7, D7.

Scales for Improvisation C bebop minor, C bebop.