Curaçao in E

Cal Tjader(1966)latin-jazzMellow 6/8 Latin
Do Re MiC D E
I
n
t
r
o
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A
-
B
-
C
o
d
a
-
C
F♯maj9
F7sus
F7♭9♯5
A♯m11
D♯m11
D♯9♯11
A♯9♯11
D♯13sus
D♯13♭5
A♯m11
A♯m69
D♯m13
D♯13
D♯9♯11
D♯9♯11
D♯9♯11
D♯9♯11

Chord Diagrams — Curaçao in E (Guitar)

A♯m7♭5
EADGBEx1324x
EADGBE11xx245frEADGBE2x341x8frEADGBE222xx1
D♯
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
D♯7alt
EADGBExx1243
4frEADGBEx42136frEADGBEx123x10frEADGBE112x43
A♯m9
2frEADGBExx2413
4frEADGBE113x246frEADGBE11113411frEADGBEx2134x
D7alt
EADGBExx132
3frEADGBEx42x135frEADGBEx1234x9frEADGBEx3412
G7alt
EADGBE31x24
5frEADGBExx1239frEADGBEx31210frEADGBEx1234x
F♯maj9
EADGBE111243
EADGBE11x2343frEADGBExx21438frEADGBE22214x
C7alt
2frEADGBE11x234
3frEADGBEx12347frEADGBExx431210frEADGBExx1243
F7sus
F - B♭ - C - E♭
F7♭9♯5
F - A - C♯ - E♭ - G♭
A♯m11
4frEADGBE111342
6frEADGBE1111148frEADGBE11xx2311frEADGBE11x234
D♯m11
EADGBE11xx34
4frEADGBE11x2349frEADGBE11134211frEADGBE111114
D♯9♯11
EADGBExx1234
5frEADGBE11x2346frEADGBE11x23x10frEADGBE111234
A♯7♯11
EADGBEx123
5frEADGBE11123x8frEADGBExx123412frEADGBE11x234
A♯9♯11
EADGBEx123
5frEADGBE11123x8frEADGBExx123412frEADGBE11x234
D♯13sus
D♯ - G♯ - A♯ - C♯ - F - C
D♯13♭5
D♯ - G - A - C - C♯ - F
A♯m69
5frEADGBE222x14
6frEADGBE11x2348frEADGBE1112x411frEADGBEx3124x
D♯m13
D♯ - F♯ - A♯ - C♯ - F - C
D♯13
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234
D♯9
EADGBExx132
5frEADGBE2222x110frEADGBE3142xx11frEADGBE111324

Curaçao in E

Curaçao in E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to A# (descending perfect fourth), A# to D (ascending major third), D to G (ascending perfect fourth), G to F# (descending half step), F# to C (ascending tritone), C to F (ascending perfect fourth), F to F (ascending unison), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to A# (descending perfect fourth), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to A# (descending perfect fourth), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to D# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to A# by perfect fourth.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

latin-jazz6/8 · 51 bars · Form: Intro-A-B-Coda-C

Chords: A♯m7♭5, D♯, D♯7alt, A♯m9, D7alt, G7alt, F♯maj9, C7alt, F7sus, F7♭9♯5, A♯m11, D♯m11, D♯9♯11, A♯7♯11, A♯9♯11, D♯13sus, D♯13♭5, A♯m69, D♯m13, D♯13, D♯9.

Scales for Improvisation E bebop minor, E bebop.