Camaleón in D
Chord Diagrams — Camaleón in D (Guitar)
Camaleón in D
Camaleón in D: Rubén Blades's minor salsa. Dorian and Harmonic Minor scales give this groove its characteristic dark edge. Chords: Dm6 – Am7b5 – D7 – Gm6 – Gm7 – C7 – Fmaj7 – A#maj7 – E7b9 – A7 – G13 – C13 – F13 – E13 – D#13 – G – D – Dm – Gm – A – A7sus – D#9 – Dm69 – C – A#.
Camaleón in D
D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.
Voice Leading
The bass line moves through D to A (descending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to G (ascending unison), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to E (ascending tritone), E to A (ascending perfect fourth), A to G (descending whole step), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to E (descending half step), E to D# (descending half step), D# to G (ascending major third), G to D (descending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to A (ascending whole step), A to A (ascending unison), A to D# (ascending tritone), D# to D (descending half step), D to C (descending whole step), C to A# (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to D by major third.
Scales for Improvisation
D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.