Camaleón in D

Rubén Blades(1991)salsaSon Montuno
Do Re MiC D E
Clave 2-3
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n
t
r
o
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A
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A
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B
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C
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D
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E
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F
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G
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H
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I
A7sus
A7sus
A7sus
A7sus
D♯13
Dm69
D♯13
Dm69
D♯13
Dm69
D♯13
Dm69
G13
Variation

Chord Diagrams — Camaleón in D (Guitar)

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Camaleón in D

Camaleón in D: Rubén Blades's minor salsa. Dorian and Harmonic Minor scales give this groove its characteristic dark edge. Chords: Dm6 – Am7b5 – D7 – Gm6 – Gm7 – C7 – Fmaj7 – A#maj7 – E7b9 – A7 – G13 – C13 – F13 – E13 – D#13 – G – D – Dm – Gm – A – A7sus – D#9 – Dm69 – C – A#.

Camaleón in D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to A (descending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to G (ascending unison), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to E (ascending tritone), E to A (ascending perfect fourth), A to G (descending whole step), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to E (descending half step), E to D# (descending half step), D# to G (ascending major third), G to D (descending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to A (ascending whole step), A to A (ascending unison), A to D# (ascending tritone), D# to D (descending half step), D to C (descending whole step), C to A# (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to D by major third.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

salsa4/4 · 79 bars · Form: Intro-A-A-B-C-D-E-F-G-H-I

Chords: Dm6, Am7♭5, D7, Gm6, Gm7, C7, Fmaj7, A♯maj7, E7♭9, A7, G13, C13, F13, E13, D♯13, G, D, Dm, Gm, A, A7sus, D♯9, Dm69, C, A♯.

Scales for Improvisation D bebop minor, D bebop.

Diatonic chords: See all chords in the key of D