Bilongo in G#

Guillermo Rodríguez Fiffé(1952)guarachaGuaracha-Mambo ♩=194, 3-2 Clave
Do Re MiC D E
Clave 3-2
A
B
C

Chord Diagrams — Bilongo in G# (Guitar)

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Bilongo in G#

Bilongo in G#: Guillermo Rodríguez Fiffé's minor guaracha. Dorian and Harmonic Minor scales give this groove its characteristic dark edge. Chords: G#m69 – A9 – D#7 – E7 – C#m6 – D#7b9 – A#m7b5 – G#m6 – F#9 – B7 – E9 – D#9 – Bmaj9 – A69 – G#9 – C#m7 – G9b5 – C9 – Bmaj7 – F#m11 – B13 – F7alt.

Bilongo in G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to A (ascending half step), A to D# (ascending tritone), D# to E (ascending half step), E to C# (descending minor third), C# to D# (ascending whole step), D# to A# (descending perfect fourth), A# to G# (descending whole step), G# to F# (descending whole step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to D# (descending half step), D# to B (descending major third), B to A (descending whole step), A to G# (descending half step), G# to C# (ascending perfect fourth), C# to G (ascending tritone), G to C (ascending perfect fourth), C to B (descending half step), B to F# (descending perfect fourth), F# to B (ascending perfect fourth), B to F (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to G# by minor third.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

guaracha4/4 · 28 bars · Form: ABC

Chords: G♯m69, A9, D♯7, E7, C♯m6, D♯7♭9, A♯m7♭5, G♯m6, F♯9, B7, E9, D♯9, Bmaj9, A69, G♯9, C♯m7, G9♭5, C9, Bmaj7, F♯m11, B13, F7alt.

Scales for Improvisation G# bebop minor, G# bebop.

Diatonic chords: See all chords in the key of G#