Basta De Clamares Inocência in C#

Cartola(1979)bossa novaMedium Bossa Nova ♩=118
Do Re MiC D E
I
n
t
r
o
-
A
B
C
D
E
-
E
n
d
i
n
g
C♯maj9
Gm11
C7♭9♯5
G♯13
G♯7♯5
C♯maj9
C♯maj9
C7♭9♯5
F13
F7♯5
C7♭9♯5
G♯13
G13
C9♯5
C7♭9♯5
F♯69♯11
Gm11
Gm11
F♯7♯5
G♯m11
C7♭9♯5
G♯13
G13
C9♯5
C7♭9♯5
C♯maj9♯11
B9♯11
C7♭9♯5
G♯13
G13
C9♯5
C7♭9♯5
C♯maj9♯11
B9♯11

Chord Diagrams — Basta De Clamares Inocência in C# (Guitar)

C♯maj9
EADGBE1111x4
3frEADGBEx2143x8frEADGBE11124310frEADGBExx2143
Gm11
EADGBE2x341x
3frEADGBE1111145frEADGBE11xx238frEADGBE11x234
C7♭9♯5
C - E - G♯ - B♭ - D♭
Fm9
EADGBE111134
EADGBEx12346frEADGBE2222x111frEADGBE22221
G♯13
EADGBE111432
4frEADGBE1113244frEADGBE11123410frEADGBE44x213
G♯7♯5
4frEADGBE1x234
6frEADGBExx14239frEADGBEx324111frEADGBE11x432
D♯
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
G9
EADGBE31
EADGBE11234x3frEADGBE1113249frEADGBE222221
Cm9
EADGBE2222x1
EADGBEx12436frEADGBE333x128frEADGBE111134
F13
EADGBE111324
EADGBE1112347frEADGBE44x2138frEADGBE111134
F7♯5
EADGBE1234x
3frEADGBExx14238frEADGBE11x43212frEADGBE213x4x
A♯m9
2frEADGBExx2413
4frEADGBE113x246frEADGBE11113411frEADGBEx2134x
Dm9
EADGBE132
3frEADGBE2222x15frEADGBEx142310frEADGBE111134
Gm7♭5
EADGBE3xx421
EADGBE2x341x5frEADGBE222xx110frEADGBEx1324x
C7♭9
EADGBE11x234
6frEADGBE3241xx8frEADGBE111x239frEADGBExx3142
G13
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
C9♯5
EADGBE222x14
3frEADGBEx12435frEADGBE1112347frEADGBE11234x
F♯69♯11
F♯ - A♯ - C♯ - D♯ - G♯ - C
F♯7♯5
EADGBE1x234x
4frEADGBExx14237frEADGBEx43129frEADGBE11x432
G♯m11
EADGBE111342
4frEADGBE1111146frEADGBE11xx239frEADGBE11x334
G7♭5
EADGBE2x341x
5frEADGBExx12349frEADGBEx314210frEADGBE11x23x
C9
EADGBE222221
7frEADGBE1123447frEADGBE1113249frEADGBExx2143
B9
EADGBE2222x1
4frEADGBE1114327frEADGBE1113248frEADGBExx2143
Em9
EADGBE24
EADGBE12435frEADGBE2222x110frEADGBE11324
D♯m9
4frEADGBE2222x1
7frEADGBExx24139frEADGBE333x1211frEADGBE111134
G♯9♯5
EADGBE111234
3frEADGBE112344frEADGBExx123410frEADGBEx2134
Bm9
EADGBEx1234
3frEADGBE222x147frEADGBE11113410frEADGBE112234
Gm9
EADGBE2341
3frEADGBE1111346frEADGBE11xx28frEADGBE2222x1
C♯maj9♯11
C♯ - F - G♯ - C - D♯ - G
B9♯11
EADGBE11x234
EADGBE111x236frEADGBE2x341x9frEADGBExx1234

Basta De Clamares Inocência in C#

Basta De Clamares Inocência in C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to G (ascending tritone), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to G# (ascending minor third), G# to G# (ascending unison), G# to D# (descending perfect fourth), D# to G (ascending major third), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to F (ascending unison), F to A# (ascending perfect fourth), A# to D (ascending major third), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to G (descending perfect fourth), G to C (ascending perfect fourth), C to F# (ascending tritone), F# to F# (ascending unison), F# to G# (ascending whole step), G# to G (descending half step), G to C (ascending perfect fourth), C to B (descending half step), B to E (ascending perfect fourth), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to B (ascending minor third), B to G (descending major third), G to C# (ascending tritone), C# to B (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to C# by whole step.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa nova4/4 · 45 bars · Form: Intro-ABCDE-Ending

Chords: C♯maj9, Gm11, C7♭9♯5, Fm9, G♯13, G♯7♯5, D♯, G9, Cm9, F13, F7♯5, A♯m9, Dm9, Gm7♭5, C7♭9, G13, C9♯5, F♯69♯11, F♯7♯5, G♯m11, G7♭5, C9, B9, Em9, D♯m9, G♯9♯5, Bm9, Gm9, C♯maj9♯11, B9♯11.

Scales for Improvisation C# bebop, C# bebop major.