Aqui, Oh! in D

Toninho Horta(1988)sambaSamba (in 4) ♩= 122–144
Do Re MiC D E
I
n
t
r
o
-
A
B
C
D
A♯maj13
Dmaj9
G13♯11
Emaj9
D♯m11
C♯m11
C♯mM9
G13
Emaj9
D♯m11
C♯m11
C♯mM9
G13
D6/9
B7♭9♯5
F13

Chord Diagrams — Aqui, Oh! in D (Guitar)

Dadd9
2frEADGBE11x324
5frEADGBEx12347frEADGBExx31410frEADGBExx3214
A♯maj13
EADGBE11x234
5frEADGBE1111236frEADGBE11123410frEADGBE11x423
Dmaj9
2frEADGBE1111x4
4frEADGBEx2143x7frEADGBEx231410frEADGBE11x234
G13♯11
G - B - D - F - A - C♯ - E
Emaj9
EADGBE3124
EADGBE1112346frEADGBEx2143x9frEADGBE11xx34
D♯m11
EADGBE11xx34
4frEADGBE11x2349frEADGBE11134211frEADGBE111114
C♯m11
EADGBE111x23
7frEADGBE1113429frEADGBE11111411frEADGBE11xx23
C♯mM9
C♯ - E - G♯ - C - D♯
G13
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
D6/9
2frEADGBEx431
4frEADGBE11x2349frEADGBE11123411frEADGBE2222x1
Gm9
EADGBE2341
3frEADGBE1111346frEADGBE11xx28frEADGBE2222x1
F♯m7♭5
EADGBE2341
4frEADGBE222xx19frEADGBEx1324x10frEADGBE11xx24
B7♭9♯5
B - D♯ - G - A - C
E9
EADGBE213
EADGBE113x426frEADGBE2222219frEADGBE11112
F13
EADGBE111324
EADGBE1112347frEADGBE44x2138frEADGBE111134

Aqui, Oh! in D

Aqui, Oh! in D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to A# (descending major third), A# to D (ascending major third), D to G (ascending perfect fourth), G to E (descending minor third), E to D# (descending half step), D# to C# (descending whole step), C# to C# (ascending unison), C# to G (ascending tritone), G to D (descending perfect fourth), D to G (ascending perfect fourth), G to F# (descending half step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to F (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to D by minor third.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 15 bars · Form: Intro-ABCD

Chords: Dadd9, A♯maj13, Dmaj9, G13♯11, Emaj9, D♯m11, C♯m11, C♯mM9, G13, D6/9, Gm9, F♯m7♭5, B7♭9♯5, E9, F13.

Scales for Improvisation D bebop, D bebop major.