A Nivel De in A

João Bosco(1988)Funky SambaFunky Samba ♩=96
Do Re MiC D E
A
A
B
C
C♯13
C♯7♭13
F♯m♯5
E7sus
E7sus
D♯7♯9♯5
Amaj9
Amaj9

Chord Diagrams — A Nivel De in A (Guitar)

Dmaj7
EADGBE111xx
2frEADGBE111x435frEADGBE1113247frEADGBE111xx4
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
F♯13♭9
EADGBE2314
EADGBE1112347frEADGBEx42319frEADGBE111134
Bm9
EADGBEx1234
3frEADGBE222x147frEADGBE11113410frEADGBE112234
Bm11
EADGBEx123
5frEADGBE1113427frEADGBE1111149frEADGBE1122xx
F♯m6
EADGBE2222x1
4frEADGBE111x327frEADGBE11x3248frEADGBEx2413x
Dm6
EADGBExx21
3frEADGBE11x3245frEADGBEx13x249frEADGBE2222x1
F♯9sus
EADGBE111134
4frEADGBExx13247frEADGBE11x2349frEADGBE111134
F♯9
EADGBE111324
3frEADGBExx21438frEADGBE22222111frEADGBE1111x2
D♯7♯9♯5
D♯ - G - B - C♯ - E♯#
G9
EADGBE31
EADGBE11234x3frEADGBE1113249frEADGBE222221
Amaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
Amaj9
EADGBE11x34
4frEADGBE112435frEADGBEx231411frEADGBE22214x
C♯13
EADGBEx4231
4frEADGBE1111347frEADGBE2223419frEADGBE111234
C♯7♭13
C♯ - F - B - A
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
F♯m♯5
EADGBE111134
4frEADGBE11x3425frEADGBExx32419frEADGBE111342
E7sus
E - A - B - D
B9
EADGBE2222x1
4frEADGBE1114327frEADGBE1113248frEADGBExx2143
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423

A Nivel De in A

A Nivel De in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to C# (descending half step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison), B to F# (descending perfect fourth), F# to D (descending major third), D to F# (ascending major third), F# to F# (ascending unison), F# to D# (descending minor third), D# to G (ascending major third), G to A (ascending whole step), A to A (ascending unison), A to C# (ascending major third), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to E (descending whole step), E to B (descending perfect fourth), B to B (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to D by minor third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

Funky Samba4/4 · 38 bars · Form: AABC

Chords: Dmaj7, C♯m7, F♯13♭9, Bm9, Bm11, F♯m6, Dm6, F♯9sus, F♯9, D♯7♯9♯5, G9, Amaj7, Amaj9, C♯13, C♯7♭13, F♯m7, F♯m♯5, E7sus, B9, Bm7.

Scales for Improvisation A bebop, A bebop major.