Do Re MiC D E

Zingaro (Retrato Em Branco E Preto)

Jobim Antonio-Carlos4/4bossa-nova

Chord Diagrams — Zingaro (Retrato Em Branco E Preto) in A# (Guitar)

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Zingaro (Retrato Em Branco E Preto) in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to F (descending perfect fourth), F to G# (ascending minor third), G# to G (descending half step), G to F# (descending half step), F# to D# (descending minor third), D# to F (ascending whole step), F to C# (descending major third), C# to C (descending half step), C to F (ascending perfect fourth), F to B (ascending tritone), B to E (ascending perfect fourth), E to A# (ascending tritone), A# to F# (descending major third), F# to F (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to A# by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 32 bars · Form: AB

Chords: A♯m7, F7♭9/A, G♯m6, Gmaj7, F♯maj7, D♯m7, F7♭9, C♯maj7, C13♭9, Fmaj7, B7♯11, Edim7, A♯m/F, F♯m7, F7.

Scales for Improvisation A# bebop minor, A# bebop.

Diatonic chords: See all chords in the key of A#