Do Re MiC D E

Zhivago

Rosenwinkel Kurt4/4up-tempo-swing

Chord Diagrams — Zhivago in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
Dm7
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
10frEADGBE111113
Cmaj7
EADGBE231
3frEADGBE111324
5frEADGBE111xx4
10frEADGBE333xx1
G/F
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
Am7
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
Gmaj7
EADGBE321
3frEADGBE111423
5frEADGBE11333x
10frEADGBE11x324
D/C
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
Dm/B
EADGBExx231
5frEADGBE111342
6frEADGBEx4231x
10frEADGBE111134
Asus4
EADGBEx123
EADGBExx1
5frEADGBE111333
7frEADGBE11x234
A♯mMaj7
EADGBE11x423
6frEADGBE111132
8frEADGBE11x342
10frEADGBE11x42x
Bm7
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
C6
EADGBEx4231
3frEADGBE3333x1
7frEADGBE2x143x
8frEADGBE11x324
Am9
EADGBEx2413
5frEADGBE111134
8frEADGBE132
10frEADGBEx21344
F♯7sus4
EADGBE111134
4frEADGBExx1324
7frEADGBE11x234
9frEADGBE111134
D♯maj7
EADGBE11333x
3frEADGBE111x43
6frEADGBE111324
8frEADGBE111xx4
Fm7
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
9frEADGBExx2314
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
Dm11
3frEADGBE11x234
EADGBE11xx
8frEADGBE111342
10frEADGBE111114
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
A9♯11
4frEADGBE111234
EADGBEx13
7frEADGBExx1234
11frEADGBE11x234
E7sus4
5frEADGBE11x234
EADGBE23
7frEADGBE111134
9frEADGBE11xx23
Emaj7
4frEADGBE111x43
EADGBE312
EADGBE333xx1
7frEADGBE111324
C♯m9
5frEADGBE222x14
EADGBEx21344
7frEADGBEx13244
9frEADGBE111134
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
Bmaj7
7frEADGBE111423
EADGBE111324
4frEADGBE111xx4
9frEADGBE11333x
G♯m9
7frEADGBE221341
EADGBE11143
4frEADGBE111134
9frEADGBEx21344
A♯7
8frEADGBE11x324
EADGBE111x34
6frEADGBE111132
11frEADGBEx3241x
Dm/C♭
10frEADGBE111134
EADGBExx231
5frEADGBE111342
6frEADGBEx4231x
A♯maj7
8frEADGBE11333x
EADGBE11x324
3frEADGBE111xx4
6frEADGBE111423

Explore More

Zhivago in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to D (descending whole step), D to C (descending whole step), C to G (descending perfect fourth), G to A (ascending whole step), A to G (descending whole step), G to D (descending perfect fourth), D to D (ascending unison), D to A (descending perfect fourth), A to A# (ascending half step), A# to B (ascending half step), B to C (ascending half step), C to A (descending minor third), A to F# (descending minor third), F# to D# (descending minor third), D# to F (ascending whole step), F to G (ascending whole step), G to G# (ascending half step), G# to D (ascending tritone), D to F# (ascending major third), F# to B (ascending perfect fourth), B to A (descending whole step), A to E (descending perfect fourth), E to E (ascending unison), E to C# (descending minor third), C# to G# (descending perfect fourth), G# to B (ascending minor third), B to G# (descending minor third), G# to A# (ascending whole step), A# to D (ascending major third), D to A# (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to E by tritone.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

up-tempo-swing4/4 · 118 bars · Form: AABCD

Chords: Em7, Dm7, Cmaj7, G/F, Am7, Gmaj7, D/C, Dm/B, Asus4, A♯mMaj7, Bm7, C6, Am9, F♯7sus4, D♯maj7, Fm7, Gm7, G♯maj7, Dm11, F♯m7, B7, A9♯11, E7sus4, Emaj7, C♯m9, G♯m7, Bmaj7, G♯m9, A♯7, Dm/C♭, A♯maj7.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A