You've Changed in C

Carl Fischer / Bill Carey(1942)swing
Do Re MiC D E
A
B
G7♯5
Em/D
Gm/C
Baug7
Am/D

Chord Diagrams — You've Changed in C (Guitar)

Display
FingerNoteDegree
G7♯5
EADGBE4312
EADGBE1x234x5frEADGBExx142310frEADGBE11x432
B7♯9
EADGBEx2134x
5frEADGBE32417frEADGBE1144328frEADGBExx2134
CMaj7
EADGBE231
3frEADGBE1113245frEADGBE111xx410frEADGBE333xx1
Em7♭5
EADGBE33312
7frEADGBEx1324x8frEADGBE11xx2411frEADGBE2x341x
A7♯9
5frEADGBE114432
6frEADGBExx21348frEADGBEx421311frEADGBEx2134x
D7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
Em
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
Dm
EADGBExx231
5frEADGBE1113426frEADGBEx4231x10frEADGBE111134
Gm
EADGBE2134
3frEADGBE1111345frEADGBExx134210frEADGBE111342
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
C♯m
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
FMaj7
EADGBExx321
EADGBE1114233frEADGBE11x3338frEADGBE111324
Fm
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
Em/D
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
Gm/C
EADGBE2134
3frEADGBE1111345frEADGBExx134210frEADGBE111342
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
D♯m
EADGBExx1342
EADGBExx32416frEADGBE11134211frEADGBE111134
F♯m
EADGBE111134
4frEADGBE11x3425frEADGBExx32419frEADGBE111342
Baug7
EADGBEx2134
2frEADGBEx2137frEADGBE1x234x9frEADGBExx1423
A♯7♭5
EADGBE11x23x
5frEADGBE2x3418frEADGBExx123411frEADGBEx3241
Am/D
EADGBEx231
2frEADGBE444x15frEADGBE1111347frEADGBEx1342
C
EADGBEx321
3frEADGBE1112345frEADGBE111xx48frEADGBE111342

You've Changed in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to B (ascending major third), B to C (ascending half step), C to E (ascending major third), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G# (ascending tritone), G# to G (descending half step), G to E (descending minor third), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to C# (ascending half step), C# to F# (ascending perfect fourth), F# to F (descending half step), F to F (ascending unison), F to E (descending half step), E to G (ascending minor third), G to A# (ascending minor third), A# to D# (ascending perfect fourth), D# to F# (ascending minor third), F# to B (ascending perfect fourth), B to A# (descending half step), A# to A (descending half step), A to C (ascending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to G by perfect fourth.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 29 bars · Form: AB

Chords: G7♯5, B7♯9, CMaj7, Em7♭5, A7♯9, D7, G♯7, G7, Em, A7, Dm, Gm, C7, C♯m, F♯7, FMaj7, Fm, Em/D, Gm/C, A♯7, D♯m, F♯m, Baug7, A♯7♭5, Am/D, C.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C