You'd Be So Nice to Come Home To in G

Cole Porter(1942)swing
Do Re MiC D E
A
G/D

Chord Diagrams — You'd Be So Nice to Come Home To in G (Guitar)

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You'd Be So Nice to Come Home To in G

Key of G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to F# (ascending whole step), F# to B (ascending perfect fourth), B to D (ascending minor third), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to C# (ascending half step), C# to F# (ascending perfect fourth), F# to C (ascending tritone), C to C# (ascending half step), C# to G (ascending tritone), G to D# (descending major third), D# to A (ascending tritone), A to D# (ascending tritone), D# to D (descending half step), D to G (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to E by minor third.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 33 bars · Form: A

Chords: Em, F♯m7♭5, B7, Dm7, G7, C, C♯m7♭5, F♯7, C6, C♯dim, G/D, D♯dim, A9, D♯7, D7, G.

Scales for Improvisation G bebop, G bebop major.

Diatonic chords: See all chords in the key of G