Do Re MiC D E

You Do Something To Me

Porter Cole4/4medium-up-swing

Chord Diagrams — You Do Something To Me in B (Guitar)

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You Do Something To Me in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to A# (descending half step), A# to F# (descending major third), F# to F# (ascending unison), F# to D# (descending minor third), D# to G# (ascending perfect fourth), G# to C (ascending major third), C to C# (ascending half step), C# to C# (ascending unison), C# to D (ascending half step), D to D (ascending unison), D to G (ascending perfect fourth), G to G (ascending unison), G to F# (descending half step), F# to E (descending whole step), E to G# (ascending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G# to B by minor third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-up-swing4/4 · 32 bars · Form: ABC

Chords: B6, A♯7, F♯7♯5, F♯7, D♯m7, G♯7♭9, Cdim7, C♯m7, C♯7, Ddim7, Dm7, G6/D♯, G7, F♯7/D, E6/C, G♯7.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B