Do Re MiC D E

You'd Be So Nice To Come Home To

Porter Cole4/4medium-up-swing

Chord Diagrams — You'd Be So Nice To Come Home To in A (Guitar)

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You'd Be So Nice To Come Home To in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to B (ascending whole step), B to E (ascending perfect fourth), E to G (ascending minor third), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to F# (ascending half step), F# to B (ascending perfect fourth), B to F# (descending perfect fourth), F# to C (ascending tritone), C to G# (descending major third), G# to D (ascending tritone), D to G# (ascending tritone), G# to G (descending half step), G to C (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to A by minor third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-up-swing4/4 · 32 bars · Form: ABAD

Chords: Am7, Bm7♭5, E7♭9, Gm7, C7, Fmaj7, F♯m7♭5, B7♭9, F♯dim7, C6/G, G♯dim7, D7, G♯7, G7, C6.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A