Do Re MiC D E

Who Can I Turn To

Newley-Bricusse4/4medium-swing

Chord Diagrams — Who Can I Turn To in A# (Guitar)

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Who Can I Turn To in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to C (ascending whole step), C to F (ascending perfect fourth), F to D (descending minor third), D to D# (ascending half step), D# to F (ascending whole step), F to A# (ascending perfect fourth), A# to E (ascending tritone), E to A (ascending perfect fourth), A to G (descending whole step), G to C# (ascending tritone), C# to G (ascending tritone), G to A (ascending whole step), A to D (ascending perfect fourth), D to C (descending whole step), C to A# (descending whole step), A# to A# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from A# to A# by unison.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-swing4/4 · 32 bars · Form: ABAC

Chords: A♯maj7, Cm7, F7, Dm7, D♯maj7, Fm7, A♯7, Em7♭5, A7♯9, Gm7, C♯dim7, G7, Am7♭5, D7♭9, C7, A♯/G, A♯6.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#