Une vie d'amour in C#

Georges Garvarentz / Charles Aznavour(1981)swing
Do Re MiC D E
A
B
F♯m7/E
F♯m6/D♯
F♯m/A
G♯7/C
C♯m/C
C♯m/B
F♯7/A♯
C♯m/G♯
C♯m/C
C♯m/B
F♯7/A♯
Gdim/A♯
F♯m6/A
B/A
Em7/B
Bmadd4
C♯sus4/B
G♯7/C
F♯m/A
G♯7/C

Chord Diagrams — Une vie d'amour in C# (Guitar)

Display
FingerNoteDegree
F♯m
EADGBE111134
4frEADGBE11x3425frEADGBExx32419frEADGBE111342
F♯m7/E
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
F♯m6/D♯
EADGBE2222x1
4frEADGBE111x327frEADGBE11x3248frEADGBEx2413x
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
C♯m
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134
F♯m/A
5frEADGBExx3241
EADGBE1111344frEADGBE11x3429frEADGBE111342
A♯dim
EADGBEx1243x
4frEADGBE31x42x8frEADGBExx12x311frEADGBEx41x23
G♯7/C
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
C♯m/C
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134
C♯m/B
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134
F♯7/A♯
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
A
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
C♯m/G♯
4frEADGBE111342
EADGBEx4213x6frEADGBE1132x49frEADGBE111134
Gdim
EADGBE31x42x
5frEADGBExx12x38frEADGBEx12x3210frEADGBEx1243x
F♯m6
EADGBE2222x1
4frEADGBE111x327frEADGBE11x3248frEADGBEx2413x
Gdim/A♯
EADGBE31x42x
5frEADGBExx12x38frEADGBEx12x3210frEADGBEx1243x
F♯m6/A
EADGBE2222x1
4frEADGBE111x327frEADGBE11x3248frEADGBEx2413x
B/A
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
Em7/B
7frEADGBE111132
EADGBE2EADGBE114238frEADGBExx2314
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
D
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
GMaj7
EADGBE321
3frEADGBE1114235frEADGBE11333x10frEADGBE11x324
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
Bmadd4
B - D - E - F♯
Bm
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
C♯sus4/B
EADGBEx3412x
4frEADGBE1112346frEADGBE2x11149frEADGBE111234
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
E
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
Bm6
EADGBE2314
EADGBExx23146frEADGBE2x134x7frEADGBE111234
A♯dim7
EADGBEx123
EADGBExx13246frEADGBE1112348frEADGBExx1324

Une vie d'amour in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to F# (ascending unison), F# to F# (ascending unison), F# to G# (ascending whole step), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to A# (ascending major third), A# to G# (descending whole step), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to A (ascending minor third), A to C# (ascending major third), C# to G (ascending tritone), G to F# (descending half step), F# to G (ascending half step), G to F# (descending half step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to E (descending minor third), E to F# (ascending whole step), F# to B (ascending perfect fourth), B to B (ascending unison), B to C# (ascending whole step), C# to C# (ascending unison), C# to B (descending whole step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to B (ascending whole step), B to A# (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to F# by major third.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 46 bars · Form: AB

Chords: F♯m, F♯m7/E, F♯m6/D♯, G♯7, C♯m, F♯m/A, A♯dim, G♯7/C, C♯m/C, C♯m/B, F♯7/A♯, A, C♯m/G♯, Gdim, F♯m6, Gdim/A♯, F♯m6/A, B/A, Em7/B, A7, D, GMaj7, Em7, F♯7, Bmadd4, Bm, C♯sus4/B, C♯7, B7, E, AMaj7, Bm6, A♯dim7.

Scales for Improvisation C# bebop minor, C# bebop.

Diatonic chords: See all chords in the key of C#