Do Re MiC D E

Think Of One

Monk Thelonious4/4medium-swing
F9♭5
D13
C13
F9♭5
F9♭5
D13
F♯7♭9♯11
F9♭5
D13
C13
F9♭5

Chord Diagrams — Think Of One in B (Guitar)

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Think Of One in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to F (ascending tritone), F to G# (ascending minor third), G# to A (ascending half step), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to D (ascending whole step), D to C (descending whole step), C to F# (ascending tritone), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to C# (descending minor third), C# to C# (ascending unison), C# to C# (ascending unison), C# to F# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to B by perfect fourth.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-swing4/4 · 32 bars · Form: ABA

Chords: B, F9♭5, G♯m7, A9, D13, G7, C13, D7, C7, F♯m7/F, B7♭9, Emaj7, C♯7♭9, C♯7♭5, C♯m7, F♯7♭9♯11.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B