They Can't Take That Away From Me in Mi

George Gershwin()swingModerately
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B
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Chord Diagrams — They Can't Take That Away From Me in Mi (Guitar)

They Can't Take That Away From Me in Mi

They Can't Take That Away From Me in Mi

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to G (ascending minor third), G to F# (descending half step), F# to B (ascending perfect fourth), B to B (ascending unison), B to E (ascending perfect fourth), E to D# (descending half step), D# to B (descending major third), B to A (descending whole step), A to C# (ascending major third), C# to A (descending major third), A to E (descending perfect fourth), E to G# (ascending major third), G# to C# (ascending perfect fourth), C# to D# (ascending whole step), D# to A# (descending perfect fourth), A# to A# (ascending unison), A# to B (ascending half step), B to F# (descending perfect fourth), F# to F# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to E by whole step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 53 bars · Form: AABA

Chords: Mi6, Soldim7, Fa♯m7, Si7, Si511, Mi7, Re♯7, Sim7, La, Do♯m, Lam6, Mi, Sol♯m, Do♯7, Re♯7♭9, La♯7, La♯m7, Sim, Fa♯7, Fa♯m7/bes.

Scales for Improvisation Mi bebop, Mi bebop major.