Do Re MiC D E

The Duke

Dave Brubeck(1955)4/4swing

Chord Diagrams — The Duke in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯Maj7
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
C♯dim♯7
C7
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
Gm7♭5
5frEADGBE222xx1
EADGBE3xx421
EADGBE2x341x
10frEADGBEx1324x
Cm/A
5frEADGBE1142xx
EADGBEx3214
3frEADGBE111342
8frEADGBE111134
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
D♯m9
4frEADGBEx21344
7frEADGBExx2413
9frEADGBEx13244
11frEADGBE111134
DMaj7
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
AMaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
Bm7
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
G7
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134
C♯Maj7
6frEADGBE11xxx3
EADGBE111x43
4frEADGBE111324
9frEADGBE1x342x
D7♭9
5frEADGBE11x24
2frEADGBExx431
4frEADGBE11x234
8frEADGBE3241xx
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
D♯6
4frEADGBEx4231x
EADGBE11xx34
6frEADGBE3333x1
10frEADGBE2x143x
Am
5frEADGBE111134
EADGBEx231
2frEADGBE444x1
7frEADGBEx1342
F♯m
4frEADGBE11x342
EADGBE111134
5frEADGBExx3241
9frEADGBE111342
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
D♯m7♭5
6frEADGBEx1324x
EADGBE222xx1
7frEADGBE11xx24
10frEADGBE2x341x
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx24
8frEADGBE2x341x
11frEADGBE222xx1
G♯7♯9
EADGBE213334
4frEADGBE114432
5frEADGBE44xx31
10frEADGBEx2134x
F♯m7/A♭
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
Bdim7
EADGBExx1324
EADGBE11x234
6frEADGBE3x142x
7frEADGBE111234
F♯m7/C
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
D7
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132
AMaj7/E♭
EADGBEx213
EADGBE111x4
5frEADGBE111423
7frEADGBE333x1
F♯m9
EADGBE2314
EADGBE111123
7frEADGBEx21344
10frEADGBExx2413

Explore More

The Duke in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to C# (descending perfect fourth), C# to C (descending half step), C to G (descending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to B (ascending tritone), B to F# (descending perfect fourth), F# to D# (descending minor third), D# to D (descending half step), D to E (ascending whole step), E to C (descending major third), C to C# (ascending half step), C# to A (descending major third), A to E (descending perfect fourth), E to B (descending perfect fourth), B to G# (descending minor third), G# to D# (descending perfect fourth), D# to G (ascending major third), G to C# (ascending tritone), C# to D (ascending half step), D to F (ascending minor third), F to D# (descending whole step), D# to A (ascending tritone), A to F# (descending minor third), F# to C# (descending perfect fourth), C# to D# (ascending whole step), D# to F# (ascending minor third), F# to C# (descending perfect fourth), C# to G# (descending perfect fourth), G# to F# (descending whole step), F# to B (ascending perfect fourth), B to F# (descending perfect fourth), F# to D (descending major third), D to A (descending perfect fourth), A to F# (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to F# by unison.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 25 bars · Form: AB

Chords: F♯Maj7, C♯dim♯7, C7, Gm7♭5, Cm/A, Fm7, B7, F♯m7, D♯m9, DMaj7, E, Cm7, C♯m7, AMaj7, E7, Bm7, G♯7, D♯7, G7, C♯Maj7, D7♭9, F7, D♯6, Am, F♯m, C♯7, D♯m7♭5, F♯7, C♯m7♭5, G♯7♯9, F♯m7/A♭, Bdim7, F♯m7/C, D7, AMaj7/E♭, F♯m9.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#