How to practice That Old Black Magic with play-along tracks?

Use the play-along backing track above to practice That Old Black Magic in the key of B. Listen to the audio with bass, piano, and drums, start by playing the melody, then practice improvisation and soloing over the chord changes.

What scales to use for soloing over That Old Black Magic?

For soloing over That Old Black Magic, recommended scales include: bebop, bebop major. Use arpeggio patterns over each chord to create melodic lines that follow the harmony of this jazz tune.

Who composed That Old Black Magic?

That Old Black Magic was composed by Arlen Harold. It is a medium-swing standard in 4/4 time. The original key is Eb; this page shows it transposed to B.

What key is That Old Black Magic in?

The original key of That Old Black Magic is Eb. The form is ABCD with 66 bars. This page shows the chart transposed to B.

What scales work for improvising over That Old Black Magic?

Recommended scales for That Old Black Magic in B: bebop, bebop major. Scales and arpeggios update in real-time as each chord plays, with context-aware analysis (e.g., Phrygian Dominant over secondary dominants).

How does the interactive backing track work?

The backing track plays with realistic walking bass, drum patterns, and voice-led chord voicings. Scales and arpeggios update in real-time as each chord plays. You can limit the fretboard zone for close-proximity voicings, toggle a reference melody, loop any section, and choose between multiple sound presets. Works for guitar, piano, bass, ukulele, and 7 more instruments.

Can I edit the chord chart?

Yes. You can modify the structure, chords, and arrangement of any standard to match your preferred version or create your own reharmonization.

Do Re MiC D E

That Old Black Magic

Arlen Harold4/4medium-swing

BPM: 120

Chord Diagrams — That Old Black Magic in B (Guitar)

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Chord Voicings Closest Voicing

Starting fret

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F♯7sus4

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That Old Black Magic in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to C# (ascending whole step), C# to F# (ascending perfect fourth), F# to D# (descending minor third), D# to G# (ascending perfect fourth), G# to A (ascending half step), A to D (ascending perfect fourth), D to B (descending minor third), B to A# (descending half step), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to E (descending major third), E to E (ascending unison), E to F# (ascending whole step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to F# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to B by perfect fourth.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-swing4/4 · 66 bars · Form: ABCD

Chords: Bmaj7, C♯m7, F♯7, D♯m7, G♯7, A7, Ddim7, B6, A♯m7♭5, D♯7, G♯m7, E7♯11, Em7, F♯m7, B7, Emaj7, F♯7sus4.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B