Tenderly in Si

Walter Gross(1946)balladBallad

Tenderly in Si

This romantic waltz in 3/4 provides an expressive canvas for Bebop Major melodic development, Lydian color on the major IV chord, and Dorian phrasing over the ii chords. The triple meter demands a different approach to phrase construction than most jazz standards, with melodic lines that breathe in three-bar and six-bar arcs. A sophisticated ballad that separates improvisers who can truly sing from those who merely play changes.

Tenderly in Si

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to E (descending perfect fourth), E to G# (ascending major third), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to B by unison.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 32 bars · Form: ABAB

Chords: SiMaj7, Mim7, La7, Mi7, Sol♯m7, Do♯m7, Fa♯7, Si6.

Scales for Improvisation Si major, Si dorian, Si lydian, Si bebop major, Si major pentatonic.