Do Re MiC D E

Some Other Time

Bernstein Leonard4/4ballad
F7sus4
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A♯maj
A♯maj/G
F7sus4
F7sus4
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F7sus4
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A♯maj
A♯maj/G
F7sus4
F7sus4
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Chord Diagrams — Some Other Time in A# (Guitar)

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Some Other Time in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to F (descending perfect fourth), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to E (ascending tritone), E to D# (descending half step), D# to D (descending half step), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to C# (ascending half step), C# to F# (ascending perfect fourth), F# to F (descending half step), F to G (ascending whole step), G to F# (descending half step), F# to F (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F to A# by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 32 bars · Form: ABA

Chords: A♯maj7, F7sus4, A♯maj, A♯maj/G, Em7♭5, D♯m7, Dm7, G7, Cm7, C♯7, F♯maj7, F7♭13, Gm7, F♯7♯11, F7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#