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Say the Brother's Name

Metheny Pat4/4even-8ths

Chord Diagrams — Say the Brother's Name in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯maj7
3frEADGBE111xx4
EADGBE11x324
6frEADGBE111423
8frEADGBE11333x
Am7
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
D♯maj7♯11
EADGBEx314x
3frEADGBE11x423
6frEADGBE11x234
10frEADGBE111123
Dm
EADGBExx231
5frEADGBE111342
6frEADGBEx4231x
10frEADGBE111134
Dm/C
EADGBExx231
5frEADGBE111342
6frEADGBEx4231x
10frEADGBE111134
F/A
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
C♯maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
F♯/B♭
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
Fm/A♭
3frEADGBExx1342
EADGBE111134
8frEADGBE111342
10frEADGBE1142xx
D♯m11
4frEADGBE11x234
EADGBE11xx34
9frEADGBE111342
11frEADGBE111114
F♯maj7♯11
4frEADGBE11x234
EADGBE111123
6frEADGBE11x423
9frEADGBE11x234
E69
6frEADGBE11x234
EADGBE22134
9frEADGBE11111x
11frEADGBE11134
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
Dmaj7♯11
5frEADGBE11x234
EADGBE11xx3
2frEADGBEx4231
9frEADGBE111123
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
Bm7
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
Gmaj7♯11
7frEADGBE11x423
EADGBE111133
3frEADGBE111234
10frEADGBE11x234
F♯m7
9frEADGBE111132
EADGBE111113
4frEADGBExx1423
10frEADGBExx2314
Gmaj7
10frEADGBE11x324
EADGBE321
3frEADGBE111423
5frEADGBE11333x
Em7
8frEADGBExx2314
EADGBE2
EADGBE11423
7frEADGBE111132
D/F♯
10frEADGBE111342
EADGBExx132
2frEADGBE111432
5frEADGBE111234
D
10frEADGBE111342
EADGBExx132
2frEADGBE111432
5frEADGBE111234
A♯/C
8frEADGBE11x243
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
F6
8frEADGBE113333
EADGBE11x324
3frEADGBE111x34
6frEADGBEx4231x
B7♯11
9frEADGBExx1234
EADGBE11x234
EADGBE111x23
6frEADGBE2x341x
Dm9
10frEADGBE111134
EADGBE132
3frEADGBEx21344
5frEADGBEx1423
Em11
10frEADGBE111342
EADGBE1
3frEADGBE321
5frEADGBE11x234
F9
10frEADGBE1111x2
EADGBE111324
EADGBExx2143
7frEADGBE221334
D♯maj7
8frEADGBE111xx4
EADGBE11333x
3frEADGBE111x43
6frEADGBE111324
Em9
5frEADGBEx21344
EADGBE24
EADGBE1243
10frEADGBE11324

Explore More

Say the Brother's Name in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to A (descending half step), A to D# (ascending tritone), D# to D (descending half step), D to D (ascending unison), D to F (ascending minor third), F to G# (ascending minor third), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to C (descending half step), C to F# (ascending tritone), F# to F (descending half step), F to D# (descending whole step), D# to F# (ascending minor third), F# to E (descending whole step), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to C# (descending half step), C# to B (descending whole step), B to G (descending major third), G to F# (descending half step), F# to G (ascending half step), G to E (descending minor third), E to D (descending whole step), D to D (ascending unison), D to A# (descending major third), A# to F (descending perfect fourth), F to B (ascending tritone), B to D (ascending minor third), D to E (ascending whole step), E to F (ascending half step), F to D# (descending whole step), D# to E (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from E to A# by tritone.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

even-8ths4/4 · 36 bars · Form: ABC

Chords: A♯maj7, Am7, D♯maj7♯11, Dm, Dm/C, F/A, G♯maj7, G♯7, C♯maj7, Cm7, F♯/B♭, Fm/A♭, D♯m11, F♯maj7♯11, E69, Amaj7, Dmaj7♯11, C♯m7, Bm7, Gmaj7♯11, F♯m7, Gmaj7, Em7, D/F♯, D, A♯/C, F6, B7♯11, Dm9, Em11, F9, D♯maj7, Em9.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#