Do Re MiC D E

Santa Claus Is Comin' to Town

J. Fred Coots / Haven Gillespie(1934)4/4swing

Chord Diagrams — Santa Claus Is Comin' to Town in A# (Guitar)

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Santa Claus Is Comin' to Town in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to G (ascending major third), G to F (descending whole step), F to C (descending perfect fourth), C to C# (ascending half step), C# to A# (descending minor third), A# to F (descending perfect fourth), F to E (descending half step), E to C (descending major third), C to F# (ascending tritone), F# to F (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to A# by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 27 bars · Form: AB

Chords: A♯7, A♯, D♯m, D♯, Gm7, F7, Cm7, C♯dim7, A♯/E, Fm7, Edim7, C7, F♯dim7, F.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#