Do Re MiC D E

Sail Away

Harrell Tom4/4bossa-nova
F♯m11
B7♭9sus4
Adim7/C
F♯/F♯
B7♭9sus4
F♯m11
B7♭9sus4
Adim7/C
Am11
D7♭9sus4
E7♭9♭5
Am11
D7♭9sus4
Cdim7/E♭
C♯m11
F♯7♭9♭5
Bmaj7/D
C♯/C♯
C♯/B
G♯maj7♯5
Gm11
G9sus4
G7♭9♭5
G♯9sus4
Emaj/D
Dmaj/C
Cmaj/B♭
F♯m11
B7♭9sus4
E69
D♯7♯9♯5
Eadd9/B♭
F♯m11
Emaj7/G
B13sus4
Emaj7/G
B13sus4
Emaj7/G
B13sus4
Emaj7/G
B13sus4
F♯/F♯
G♯m/G
G♯/G♯
A/A
Dmaj
B/B

Chord Diagrams — Sail Away in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
C♯7alt
3frEADGBEx2341
EADGBEx4321
4frEADGBEx1234x
8frEADGBExx4312
F♯m11
4frEADGBE11xx23
EADGBE231
EADGBE111114
7frEADGBE11x234
B7♭9sus4
5frEADGBE3241xx
EADGBE11x234
7frEADGBE111x23
8frEADGBE11xx23
Adim7/C
5frEADGBE111234
EADGBEx1324
4frEADGBE112x3x
7frEADGBE11x34
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
F♯/F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
G9
3frEADGBE111324
EADGBE31
EADGBE11234x
9frEADGBE221334
Am11
3frEADGBE111342
EADGBEx1
5frEADGBE111114
10frEADGBE11x234
D7♭9sus4
2frEADGBExx431
4frEADGBE11x234
5frEADGBE11x24
8frEADGBE3241xx
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
E7♭9♭5
E - G♯ - B - D - F - A♯
Cdim7/E♭
EADGBE11x234
EADGBExx1324
7frEADGBE112x3x
10frEADGBE11xx34
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
C♯m11
EADGBE111x23
7frEADGBE111342
9frEADGBE111114
11frEADGBE11xx23
F♯7♭9♭5
F♯ - A♯ - C♯ - E - G - C
Bmaj7/D
EADGBE111324
4frEADGBE111xx4
7frEADGBE111423
9frEADGBE11333x
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
C♯/C♯
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
C♯/B
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
G♯maj7♯5
EADGBE4321
3frEADGBE2134
8frEADGBE111432
11frEADGBEx1423x
C♯maj7
EADGBE111x43
4frEADGBE111324
6frEADGBE11xxx3
9frEADGBE1x342x
Gm11
EADGBE2x341x
3frEADGBE111114
5frEADGBE11xx23
8frEADGBE11x234
Csus4
EADGBE11x34
3frEADGBE111234
6frEADGBE23x14
8frEADGBE111234
D♯sus4
EADGBExx1234
6frEADGBE111234
8frEADGBE11xx2x
11frEADGBE111234
G9sus4
G - C - D - F - A
G7♭9♭5
G - B - D - F - A♭ - C♯
G♯9sus4
G♯ - C♯ - D♯ - F♯ - A♯
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
Emaj/D
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
Dmaj/C
2frEADGBE111432
EADGBExx132
5frEADGBE111234
10frEADGBE111342
Cmaj/B♭
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
B7
EADGBEx2134
EADGBE111134
4frEADGBE111xx2
7frEADGBE111132
E69
EADGBE22134
6frEADGBE11x234
9frEADGBE11111x
11frEADGBE11134
D♯7♯9♯5
D♯ - G - B - C♯ - E♯#
Eadd9/B♭
EADGBE2314
4frEADGBE11x324
6frEADGBEx21x34
12frEADGBExx3214
Bsus4
2frEADGBE111234
4frEADGBE11xx24
7frEADGBE111234
9frEADGBE1144x3
Emaj7/G
EADGBE333xx1
EADGBE312
4frEADGBE111x43
7frEADGBE111324
B13sus4
EADGBE111134
EADGBE44x213
4frEADGBE111432
7frEADGBE111234
A
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
G♯m/G
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
G♯/G♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
A/A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
Dmaj
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
B/B
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
Em9
5frEADGBEx21344
EADGBE24
EADGBE1243
10frEADGBE11324

Explore More

Sail Away in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to A (descending whole step), A to C# (ascending major third), C# to F# (ascending perfect fourth), F# to D (descending major third), D to G (ascending perfect fourth), G to A (ascending whole step), A to D (ascending perfect fourth), D to B (descending minor third), B to E (ascending perfect fourth), E to C (descending major third), C to E (ascending major third), E to C# (descending minor third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to F# (descending perfect fourth), F# to C# (descending perfect fourth), C# to C# (ascending unison), C# to D# (ascending whole step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to G (ascending tritone), G to C (ascending perfect fourth), C to D# (ascending minor third), D# to G (ascending major third), G to G (ascending unison), G to G# (ascending half step), G# to G# (ascending unison), G# to A# (ascending whole step), A# to E (ascending tritone), E to D (descending whole step), D to C (descending whole step), C to B (descending half step), B to E (ascending perfect fourth), E to D# (descending half step), D# to E (ascending half step), E to B (descending perfect fourth), B to E (ascending perfect fourth), E to B (descending perfect fourth), B to A (descending whole step), A to G# (descending half step), G# to G# (ascending unison), G# to A (ascending half step), A to D (ascending perfect fourth), D to B (descending minor third), B to E (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to G# by major third.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 65 bars · Form: ABC

Chords: G♯m7, C♯7alt, F♯m11, B7♭9sus4, Adim7/C, C♯m7, F♯/F♯, Dm7, G9, Am11, D7♭9sus4, Bm7, E7♭9♭5, Cdim7/E♭, Em7, C♯m11, F♯7♭9♭5, Bmaj7/D, F♯m7, C♯/C♯, C♯/B, D♯7, G♯maj7♯5, C♯maj7, Gm11, Csus4, D♯sus4, G9sus4, G7♭9♭5, G♯9sus4, G♯7, A♯m7, Emaj/D, Dmaj/C, Cmaj/B♭, B7, E69, D♯7♯9♯5, Eadd9/B♭, Bsus4, Emaj7/G, B13sus4, A, G♯m/G, G♯/G♯, A/A, Dmaj, B/B, Em9.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E