Do Re MiC D E

Ruby, My Dear

Thelonius Monk(1945)4/4ballad

Chord Diagrams — Ruby, My Dear in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
B7♭9
5frEADGBE3241xx
EADGBE11x234
7frEADGBE111x23
8frEADGBE11xx23
F♯m
5frEADGBExx3241
EADGBE111134
4frEADGBE11x342
9frEADGBE111342
EMaj7
4frEADGBE111x43
EADGBE312
EADGBE333xx1
7frEADGBE111324
C♯7♭9
4frEADGBEx1234
EADGBE11x234
7frEADGBE3241x
9frEADGBExx1324
G♯m
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
A♯m
6frEADGBE111xx3
EADGBE11x342
6frEADGBE111134
8frEADGBExx1342
Am
5frEADGBE111134
EADGBEx231
2frEADGBE444x1
7frEADGBEx1342
F♯Maj7
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
E7♭9
4frEADGBE1134
EADGBE312
6frEADGBE11x234
10frEADGBE3241xx
Bm
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
F♯7
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134
C♯m
EADGBEx4213x
4frEADGBE111342
6frEADGBE1132x4
9frEADGBE111134
AMaj7
EADGBE111x4
EADGBEx213
5frEADGBE111423
7frEADGBE333x1
A♯6
EADGBE3333x1
5frEADGBE2134
6frEADGBE113x24
10frEADGBEx4231x
Baug7
EADGBEx2134
2frEADGBEx213
7frEADGBE1x234x
9frEADGBExx1423
Cm/E
EADGBEx3214
3frEADGBE111342
5frEADGBE1142xx
8frEADGBE111134
F7
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2
Gm
EADGBE2134
3frEADGBE111134
5frEADGBExx1342
10frEADGBE111342
A♯Maj7
EADGBE11x324
3frEADGBE111xx4
6frEADGBE111423
8frEADGBE11333x
F7♭9
EADGBE111423
EADGBE11xx23
7frEADGBE11x234
11frEADGBE3241xx
Cm
EADGBEx3214
3frEADGBE111342
5frEADGBE1142xx
8frEADGBE111134
Cdim7
EADGBExx1324
EADGBE11x234
7frEADGBE112x3x
10frEADGBE11xx34
B6
EADGBEx312x
EADGBE3333x1
7frEADGBE1x324x
9frEADGBE11xx34
C♯mMaj7
EADGBE11x42x
4frEADGBE111423
9frEADGBE111132
11frEADGBE11x342
D♯m
EADGBExx1342
EADGBExx3241
6frEADGBE111342
11frEADGBE111134
Em
EADGBE23
2frEADGBE11342
7frEADGBE111342
9frEADGBE4312xx
E7♯9
EADGBE214
3frEADGBE312
6frEADGBEx2134x
9frEADGBE11123
A7
EADGBEx23
EADGBE111x2
5frEADGBE111132
7frEADGBEx1324
A♯6/E
EADGBE3333x1
5frEADGBE2134
6frEADGBE113x24
10frEADGBEx4231x
C7♭9
EADGBE11x234
6frEADGBE3241xx
8frEADGBE111x23
9frEADGBExx3142
GMaj7
EADGBE321
3frEADGBE111423
5frEADGBE11333x
10frEADGBE11x324
Bm7
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423

Explore More

Ruby, My Dear in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through B to F# (descending perfect fourth), F# to E (descending whole step), E to C# (descending minor third), C# to G# (descending perfect fourth), G# to A# (ascending whole step), A# to A (descending half step), A to F# (descending minor third), F# to E (descending whole step), E to B (descending perfect fourth), B to F# (descending perfect fourth), F# to C# (descending perfect fourth), C# to A (descending major third), A to A# (ascending half step), A# to B (ascending half step), B to C (ascending half step), C to F (ascending perfect fourth), F to G (ascending whole step), G to A# (ascending minor third), A# to F (descending perfect fourth), F to C (descending perfect fourth), C to C (ascending unison), C to B (descending half step), B to C# (ascending whole step), C# to D# (ascending whole step), D# to E (ascending half step), E to E (ascending unison), E to A (ascending perfect fourth), A to A# (ascending half step), A# to C (ascending whole step), C to G (descending perfect fourth), G to B (ascending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to B by unison.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 28 bars · Form: AB

Chords: B7♭9, F♯m, EMaj7, C♯7♭9, G♯m, A♯m, Am, F♯Maj7, E7♭9, Bm, F♯7, C♯m, AMaj7, A♯6, Baug7, Cm/E, F7, Gm, A♯Maj7, F7♭9, Cm, Cdim7, B6, C♯mMaj7, D♯m, Em, E7♯9, A7, A♯6/E, C7♭9, GMaj7, Bm7.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#