Do Re MiC D E

Prism

Jarrett Keith4/4ballad
G♯m7♭5/B
G♯13♭9
C♯9sus4
C♯7♭9sus4/B
C♯7♯5
C♯/A
Amaj7♯5
F♯13♭9
E/F♯
F♯/G♯
Dmaj7♯5
G9sus4
G9sus4
Gmaj7♯11
Dmaj7/E
B/E
B/E
C/E
C♯/E
D/D

Chord Diagrams — Prism in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Am
5frEADGBE111134
EADGBEx231
2frEADGBE444x1
7frEADGBEx1342
Am♭6
F♯m7♭5
4frEADGBE222xx1
EADGBE2341
9frEADGBEx1324x
10frEADGBE11xx24
D♯m7♭5
6frEADGBEx1324x
EADGBE222xx1
7frEADGBE11xx24
10frEADGBE2x341x
G♯7♭9
5frEADGBE11xx23
EADGBE111x2
4frEADGBE11xx23
10frEADGBE11x234
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
Em7
7frEADGBE111132
EADGBE2
EADGBE11423
8frEADGBExx2314
B13♭9
7frEADGBE111234
EADGBE44x213
EADGBE111134
4frEADGBE111432
E7♭9
6frEADGBE11x234
EADGBE312
4frEADGBE1134
10frEADGBE3241xx
Dm7
6frEADGBExx2314
EADGBExx312
5frEADGBE111132
10frEADGBE111113
Am7
7frEADGBE11x423
EADGBEx21
EADGBEx2314
5frEADGBE111113
F♯7♭9
8frEADGBE11x234
EADGBE2134
3frEADGBE11xx23
12frEADGBE3241xx
Bm
7frEADGBE111134
EADGBE111342
9frEADGBExx1342
10frEADGBExx3241
Gmaj7
5frEADGBE11333x
EADGBE321
3frEADGBE111423
10frEADGBE11x324
Dmaj7
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
G♯m7♭5/B
6frEADGBE222xx1
EADGBExx13
EADGBE2x341x
11frEADGBEx1324x
G♯13♭9
4frEADGBE111324
EADGBE111432
4frEADGBE111234
10frEADGBE44x213
C♯9sus4
C♯ - F♯ - G♯ - B - D♯
C♯7♭9sus4/B
4frEADGBEx1234
EADGBE11x234
7frEADGBE3241x
9frEADGBExx1324
C♯7♯5
4frEADGBE11x432
EADGBEx4321
7frEADGBE431x2
9frEADGBE1x234x
C♯/A
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
Amaj7♯5
5frEADGBEx2341
EADGBE11x32
EADGBE11x23
9frEADGBE432
G♯m7♭5
6frEADGBE222xx1
EADGBExx13
EADGBE2x341x
11frEADGBEx1324x
F♯13♭9
7frEADGBEx4231
EADGBE2314
EADGBE111234
9frEADGBE111134
E/F♯
7frEADGBE111234
EADGBE231
2frEADGBExx1243
4frEADGBE111432
F♯/G♯
6frEADGBE111432
EADGBE111342
4frEADGBE11x243
9frEADGBE111234
Dmaj7♯5
5frEADGBEx1243
EADGBExx423
2frEADGBE111432
9frEADGBExx231
G9sus4
G - C - D - F - A
Gmaj7♯11
3frEADGBE111234
EADGBE111133
7frEADGBE11x423
10frEADGBE11x234
Dmaj7/E
2frEADGBE111x43
EADGBE111xx
5frEADGBE111324
7frEADGBE111xx4
B/E
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
C/E
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
C♯/E
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
D/D
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342

Explore More

Prism in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to A (ascending unison), A to F# (descending minor third), F# to D# (descending minor third), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to E (ascending minor third), E to B (descending perfect fourth), B to E (ascending perfect fourth), E to D (descending whole step), D to A (descending perfect fourth), A to F# (descending minor third), F# to B (ascending perfect fourth), B to G (descending major third), G to D (descending perfect fourth), D to G# (ascending tritone), G# to G# (ascending unison), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to C# (ascending unison), C# to C# (ascending unison), C# to A (descending major third), A to G# (descending half step), G# to F# (descending whole step), F# to E (descending whole step), E to F# (ascending whole step), F# to D (descending major third), D to G (ascending perfect fourth), G to G (ascending unison), G to D (descending perfect fourth), D to B (descending minor third), B to C (ascending half step), C to C# (ascending half step), C# to D (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 32 bars · Form: AB

Chords: Am, Am♭6, F♯m7♭5, D♯m7♭5, G♯7♭9, C♯m7, Em7, B13♭9, E7♭9, Dm7, Am7, F♯7♭9, Bm, Gmaj7, Dmaj7, G♯m7, G♯m7♭5/B, G♯13♭9, C♯9sus4, C♯7♭9sus4/B, C♯7♯5, C♯/A, Amaj7♯5, G♯m7♭5, F♯13♭9, E/F♯, F♯/G♯, Dmaj7♯5, G9sus4, Gmaj7♯11, Dmaj7/E, B/E, C/E, C♯/E, D/D.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A